‘I am Mahasen from Gaza and I am trying to stay alive’

Words that didn’t last for long because of the pounding Israeli warplanes that seeks to end anything called Gaza, Palestine and Palestinians.

The young woman always tried to stay cheery and alive. But her death was always to be expected as she was killed by an Israeli missile that pulverized her home.

She finally become a martyr with her family in indiscriminate Israeli military strikes on the Jabalia Camp, northern Gaza on 18 October, 2024. The camp has been under constant bombardment for the last two week. This is the third time the Israelis tried to enter the camp in a year-long onslaught.

Artist and painter Mahasen Al Khatib life was cut too short by a merciless, blinded Israeli war on defenseless civilians while world leaders look on with hands tied behind their backs.

Today she stands as the owner of the “famous chicken” videoclip in which she documented the happiness of her brother when they managed to get a chicken after months of eating leaves on a starvation diet.

She watches her brother playing with the dead naked, meat, laughs and asks:

“How are we going to cook it…?”

“Magloba…[Arabic dish with rice and vegetables,” comes the reply.

“How about roasting yet,” she interjects.

“Yes, that would be great too.”

Oh, I know, how about boiling it,” she wounders as if this is a great festive occasion.

“Yes, that too would be nice,” with the eyes of her little brother lighting up.  

‘Or, what about cutting it, or even stuffing it?”

She made the videoclip on 9 August, 2024. Little did she know would be at the end of an Israeli two months later.

Mahsen drew with her pencils the heinous  conditions of the people of Gaza that have been unrelenting in an Israeli genocide of death and destruction.

Her last post was on Facebook of a youth being burnt alive. His name was Shabaan Al Dalo.

He was burnt alive in a tent outside the Al Aqsa Martyrs Hospital on 14 October, 2024.

“How do feel when you see any person burned alive,” she wryly commented a few days later.

Mahasen Al Khatib established Rawasi Palestine Foundation for Culture, Art and Media.

Palestine and Gaza lost a creative personality. She sought to communicate the merciless, ungodly heartache of the people whose lives have long been turned upside down. She wanted to send a message to the world in a clever way about the tragedies of Gazans through her artistic works.

Mahasen left us with a creative, national heritage that sought to fight ethnic cleansing and presented us with immense digital works that expressed our wounds, devastation and hopes for an end to the massacres and killing.

The artist was firm against people leaving their homes. She and her family stood against displacement and fought it tirelessly through her works that depicted the harsh realities in a caricaturist, funny manner which she published on her social media accounts.

“God sends us a chicken after long months…thanks be to God, she says….It was a chicken for eight people and I ate a part of it,” she emphasized.

The social media became alert when news of her martyrdom was announced.

Mohammad Saeed wrote: “The martyr Mahasen Al Khatib documented for us the moment the flour arrived at their home after months of hunger and eating tree leaves. She also documented the arrival of the first chicken for her entire family after many months of absence. She stood firm in Jabalia and didn’t move. Mahasen was martyred tonight in a violent shelling in Jabalia camp. Remember her in your prayers…”

In another post that included a video of the fire, Mahasen wrote, “We saw people burning, we saw people with no one helping, we saw people dying in front of our eyes… May God have mercy on us.”

From Joy to Martyrdom

Over the past years, Mahasen Al-Khatib has spread joy through her artwork. Even in the darkest moments, she would draw a smile by publishing her family’s daily life under the bombing and harsh conditions of war. However, the last thing the Palestinian artist published before her martyrdom carried a lot of pain, which she described as “difficult nights,” according to Al Jazeera.

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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Social Media Lash Out at BBC For Gaza Film

The BBC is facing growing criticism for “failing in its duty of care” to the 13-year-old Palestinian narrator of a Gaza documentary as he has reportedly experienced intense online abuse following the BBC’s decision to withdraw the film.

The Gaza: How to Survive a War Zone documentary sheds light on the experiences of children in Gaza amid Israel’s genocide war through the eyes of narrator Abdullah al-Yazuri. However, it was removed from the BBC iPlayer, after a pro-Israel campaign centered on al-Yazuri’s relationship with a minister in Gaza’s Hamas-run government.

Abdullah’s father Ayman al-Yazuri has been labeled by media as a “Hamas chief” while he is a technocrat with a scientific rather than political background, who has previously worked for the UAE’s education ministry and studied at British universities.

Fears for Safety

Speaking exclusively to Middle East Eye (MEE) last week, the child explained that he and his family have been the targets of online abuse, adding that the affair has caused him serious “mental pressure” and made him fear for his safety.

“I did not agree to the risk of me being targeted in any way before the documentary was broadcast on the BBC. So [if] anything happens to me, the BBC is responsible for it,” he said.

The boy also said the BBC had not reached out to him to apologize.

“Hamas Royalty”

His father has also denied claims that he and his son are “Hamas royalty” in an interview this week with MEE.

His comments came after pro-Israel activist David Collier alleged that Abdullah was the son of a deputy minister in Gaza’s government and was related to a co-founder of Hamas, Ibrahim al-Yazuri, who died in 2021.

The father is a civil servant in Gaza’s government – which is administered by Hamas.

Many Palestinians in Gaza have family or other connections to Hamas, which runs the government. This means that anyone working in an official capacity must also work with Hamas.

Collier, whose revelations sparked a national scandal, described Abdullah as the “child of Hamas royalty”, a claim later repeated by mainstream British newspapers.

The father said that his full name was Ayman Hasan Abdullah al-Yazuri, whereas the Hamas founder’s full name was Ibrahim Fares Ahmed al-Yazuri. He added that his father was named Hasan and died in 1975.

“Our family is not as some claim,” he told MEE, insisting he was not “Hamas royalty”.

“There are many individuals within our family who are affiliated with Fatah and the Popular Front for the Liberation of Palestine (PFLP), including some in leadership positions within these movements.”

Sparking Debate

The child’s interview with MEE about his experiences has sparked a debate on social media on media ethics and the BBC’s responsibility to protect the children it works with.

“I posted about this concern shortly after the BBC pulled this documentary,” said Chris Doyle, chair of the Council for Arab-British Understanding, responding to Abdullah’s video.

Several social media users have accused the BBC of exposing the child’s life to danger, and say the broadcaster has a responsibility to ensure his safety.

They have also highlighted Section 9 of the BBC’s editorial guidelines concerning children and young people as contributors, which states that the BBC “must take due care over the physical and emotional welfare and the dignity of under-18s who take part or are otherwise involved in our editorial content, irrespective of any consent given by them or by a parent, guardian or other person acting in loco parentis. Their welfare must take priority over any editorial requirement”.

There are also guidelines in the section that dictate that if a person under 18 is suspected to be at risk in the course of their work, “the situation must be referred promptly to the divisional Working with Children Adviser or, for independent production companies, to the commissioning editor”.

Section 9 also states that “procedures, risk assessments, and contingencies for the impact of participating on an individual’s emotional and mental well-being and welfare may be appropriate in some circumstances”.

Others also argued that the removal appeared to be another example of media bias against Palestinians according to the Quds News Network.

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Al Jazeera English Wins Top Award in London…

This is what Sami Al Arian, a Palestinian professor and activist wrote on his X account:

Very proud of my daughter Laila. She is the Executive Producer of Al Jazeera English Flagship ‘Fault Lines.’ Last night, she and her team won the 2025 best documentary award from the ‘Royal Television Society’ in London. The documentary was on the Gaza genocide and titled ‘The Night Won’t End.’

Congratulations to Laila and her team! May the suffering of Gaza and its valiant people end soon. Here is the link to this very powerful documentary.

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