How do You Stop Israel’s New War?

As Israel’s forces intensify their assault on the occupied West Bank, concerns are mounting over its broader objectives, further territorial expansion, forced displacement of Palestinians, and the gradual annexation of the occupied land.

Israel has killed more than 64 Palestinians, arrested at least 365, displaced hundreds of thousands and destroyed scores of homes and properties in the occupied West Bank since it launched its operation, the “Iron Wall,” on January 21, just days after a ceasefire took effect in the Gaza Strip.

For the first time in more than 20 years Israel deployed tanks in the West Bank and Defense Minister Israel Katz said that the army will remain in some refugee camps “for the next year.”

Since the start of the operation by the Israeli forces on January 21, several refugee camps have been nearly emptied of their residentsand over 5,000 Palestinian families have been displaced by the ongoing Israeli attacks in the West Bank according to the Palestinian government.

Starting in Jenin Camp, the operation has expanded to Tulkarm, Nur Shams, and El Far’a refugee camps and led to the displacement of more than 40,000 Palestine refugees. 

As well, the occupation forces stormed several towns, including Idhna, Al-Shuyukh, and Beit Awa in Hebron, as well as the Al-Disha and Aida camps in Bethlehem, the Al-Mughayyir and Birzeit towns in Ramallah.

Israeli troops also raided the Amari camp in Al-Bireh and the Airport Street area in the Kafr Aqab neighborhood, located north of Jerusalem. 

As the operation is spreading across most West Bank cities and refugee camps, analysts say that Israel’s long-standing aim to annex the occupied Palestinian territory is now more evident than ever and that it plans to annex the West Bank, squeeze the Palestinians into the smallest areas possible, particularly to expel them from Area C,referring to the division that makes up some 60 per cent of the Palestinian territory.

The use of air strikes, armored bulldozers, controlled detonations, and advanced weaponry by the Israeli forces has become commonplace, a spillover of the war in Gaza.

Such militarised approaches are inconsistent with the law enforcement context of the occupied West Bank, where there have been at least 38 airstrikes in 2025 alone. 

Jenin Camp stands empty today, evoking memories of the second intifada and this scene stands to be repeated in other camps. 

On the other hand, as the Israeli operation escalates, illegal settlers push further into Palestinian territories as 

Area C -over 60 per cent of the West Bank- is basically what the Israeli settler movement and the Israeli state view as ultimately theirs. 

Besides, they are creeping into Area B, which constitutes approximately 22 per cent of the West Bank. 

The illegal settlers are backed by the Israeli state, which provides them with military, economic, and political support across the political spectrum, not just from right-wing factions.

Since the start of the onslaught against the Gaza Strip on Oct. 7, 2023, at least 927 Palestinians have been killed and nearly 7,000 injured in attacks by the Israeli army and illegal settlers in the West Bank, according to the Palestinian Health Ministry.

In January, the Israeli anti-settlement group Peace Now warned that Israeli authorities were planning to approve the construction of 2,749 new settlement units in the occupied West Bank.

The group said 2025 could see “record numbers” of settlement expansions, an average of 1,800 units per month.

On its part, the International Court of Justice declared in July that Israel’s long-standing occupation of Palestinian territories is “unlawful,” demanding the evacuation of all settlements in the West Bank and East Jerusalem.

The United Nations Relief and Works Agency for Palestine Refugees (UNRWA) reiterates that civilians and civilian infrastructure must be protected at all times and that collective punishment is never acceptable.

However, under the Knesset laws implemented on January 30, UNRWA no longer has any contact with the Israeli authorities, making it impossible to raise concerns about civilian suffering or the urgent need for the delivery of humanitarian assistance. 

UNRWA, the main agency providing humanitarian aid for Palestinians in the refugee camps, has been banned by Israel to operate in East Jerusalem and now in the West Bank which is having a huge impact on the well-being of people, and on the economic situation.

This puts at grave risk the lives of Palestine Refugees and the UNRWA staff that serve them.

 Israel has long tried to eliminate the UN agency, which enshrines the right of Palestinian refugees to return home.

Israel’s aggressive assault on the refugee camps and the UNRWA, aligns with Israeli Prime Minister Benjamin Netanyahu’s goal “to end the concept of a Palestinian refugee”.

Moreover, the ongoing West Bank operation is seen as part of Israel’s plan to establish an exclusively Jewish state and recent reports surface that Israel is preparing to set up a military base in the Jenin camp, a part of its strategy to eliminate the refugee identity. 

All of Israel’s actions and policies throughout the last several decades have been geared toward the ultimate goal of creating a Greater Israel across all of historic Palestine.

Najla M. Shahwan is a Palestinian author, researcher and freelance journalist. Author of 13 books in literature and a children story collection. Chairwoman of the Palestinian Center for Children’s Literature (PCCL). Founder of Jana Woman Cultural Magazine. Recipient of two prizes from the Palestinian Union of Writers. She contributed this article to The Jordan Times.

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Archbishop of Canterbury Appeals to Free Layan Nassir

This is an appeal from the Archbishop of Canterbury Justin Welby to the Israeli authorities to free Palestinian Christian Layan Nasser from Israeli administrative detention. She has been detained since 6 April.

I lament yesterday’s decision by an Israeli military court to renew Layan Nasir’s administrative detention for a further four months. This young Palestinian Christian from Birzeit in the West Bank has been held in detention since 6 April on classified evidence that leaves her facing unknown allegations with no way to disapprove them – not knowing when she will be released, all the time without being charged, tried or convicted…”

He continues to say: “This is an egregious state of affairs, as is the fact that her transfer outside the West Bank to Damon Prison is in violation of the Fourth Geneva Convention. I ask the Israeli Government to look again at her case and that she be released.  The widespread and routine manner in which Israel uses administrative detention of Palestinians as an instrument of Occupation is deeply discriminatory. It cannot be legally or morally justified. May God watch over Layan during her detention and comfort her family at this testing time.” #FreeLayan

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‘Art is Resistance’ Says Sliman Mansour

Sliman Mansour, a prominent figure in modern Palestinian art, emphasized the importance of “rehumanizing” the Palestinian people, noting that he spent his youth fighting against the erasure of Palestinian identity.

“The Israelis and the West – they’ve been trying very hard to dehumanize us. As artists and people who deal with culture, it’s our role to rehumanize the Palestinian people,” Mansour told Anadolu.

The 77-year-old renowned artist, sculptor, writer and cartoonist, who depicts the historical struggle of Palestinians through his paintings, said he sees art as a form of resistance.

Born in 1947 in the town of Birzeit in the West Bank city of Ramallah, Mansour has portrayed the Palestinian resistance through his art for over half a century.

“I would like to show that Palestinians cherish their land and are holding onto it, and they are saying in poems about the beauty of the land. In my art, I want to show the beauty of the landscape of the land. I want to show that we live in a very unjust situation,” he said.

‘Don’t forget Palestine’

“I’m not thinking about the whole people. I think about the Palestinian people, and especially those who live outside who never saw Palestine. My message for them is: Don’t forget Palestine and Palestine is beautiful. In my art, there is no message of hate. It’s beauty and love.”

Mansour, who lived through the Six Day War between Arab states and Israel in June 1967, often draws attention to the conflicts and pressures faced by Palestinians.

Using symbols derived from Palestinian culture, history, and traditions, Mansour underscores the deep attachment Palestinians have to their land, which serves as a significant source of inspiration for his work.

“Everybody is fighting about the land, and the land is my main inspiration. I was born in a village and I experienced the land and working in the land and living in a village,” he said. “I think the memories of childhood always stay with people, even if they leave the village. From these memories, I think I take my imagination and I take my inspiration,” he said.

Saying that Jerusalem is a symbol of Palestine, and the Dome of the Rock is a symbol of Jerusalem, Mansour said he reflected this idea in a painting titled, The Camel of Hardships, which contained his first political message.

“But the first main painting that I did that had very obvious political meanings is the old man carrying Jerusalem on his back. I have a big family outside, living in the US and everywhere. I noticed that everybody was outside of Palestine. He goes out and he thinks he’s free from all the political pressures.

“But no, he’s always carrying his Palestinian on his back. If you are a Palestinian, you are a problem just because you exist. I wanted to show this fact about Palestinians who live abroad,” he said.

Mansour said in his 1989 work titled, Rituals Under Occupation, he depicted crowds carrying a cross covered with the Palestinian flag and extending toward the horizon.

He received inspiration from a Palestinian judge who lived in the Old City in Jerusalem and had a son who could not walk. Mansour said the Palestinian identity is a “big burden” for them.

“I talked to him (the judge) and he said that everybody in the world has his own cross, and Palestinian people have, all of them, have one big cross,” he said.

“The Palestinian identity is a big burden for us. Our existence is a problem. The flag became one of the main important images of Palestinian identity. The flag is the Palestinian identity, and it’s forever. We don’t see the end of it,” he added.

Mansur pointed out that one of the most frequently used symbols in his work is the olive tree, highlighting his 2021 piece, From the River to the Sea.

“It’s half olive tree and half orange tree. The olive tree symbolizes the land that was occupied in 1967. The orange tree — it symbolizes the land that was occupied in 1948,” he said.

Olive tree, orange tree

Saying that he does not only address the Israeli occupation but also underscores the resilience of the olive tree in the painting, Mansour clarified: “Olive trees – it can live in very rough places on the mountains and without water, and its roots are very long inside the land.

It symbolizes perseverance and the feeling of being that – holding the land and not giving up. In my opinion, Palestinians are like the olive tree,” he added.

Highlighting the Israeli occupation with barbed wire in his paintings, Mansour said: “Barbed wire symbolizes the occupation. It symbolizes also the settlements.”

“Because in every settlement, you see these barbed wires all around the settlement. For Palestinians, when they see barbed wires, it’s either a settlement or a military base or something. It symbolizes the occupation. They want to forbid you to come near that area,” he said.

Adding he is not always hopeful as an artist, Mansur referred to his 2018 work, Temporary Escape, where he expressed those feelings.

“I made this painting during this time when I felt very, very depressed and hopeless. When you live in occupied land, you are the target of many media people that — they aim to defeat you. I mean, defeat you from the inside. Sometimes they succeed, but then you wake up after a while. This is a fight that you have to go in,” he added.

Mentioning the impact of art on the Palestinian resistance, Mansour stated: “If the artist is really truthful with his feelings, he could be effective or she could be effective.”

“Some artists, they do it just because they have to do it. It doesn’t affect anybody. But my art is still, until now, it’s effective because I do what I like to do. It comes out from my heart,” he said.

“It’s not enough to come from your heart. You have to feel a belonging to the culture of your people. It’s not enough to feel belonging, but you have to study it. If you want to express your art through this culture, you have to know this culture very good. I think I have been through that,” he added in an interview with the Turkish news agency.

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