Social Media Lash Out at BBC For Gaza Film

The BBC is facing growing criticism for “failing in its duty of care” to the 13-year-old Palestinian narrator of a Gaza documentary as he has reportedly experienced intense online abuse following the BBC’s decision to withdraw the film.

The Gaza: How to Survive a War Zone documentary sheds light on the experiences of children in Gaza amid Israel’s genocide war through the eyes of narrator Abdullah al-Yazuri. However, it was removed from the BBC iPlayer, after a pro-Israel campaign centered on al-Yazuri’s relationship with a minister in Gaza’s Hamas-run government.

Abdullah’s father Ayman al-Yazuri has been labeled by media as a “Hamas chief” while he is a technocrat with a scientific rather than political background, who has previously worked for the UAE’s education ministry and studied at British universities.

Fears for Safety

Speaking exclusively to Middle East Eye (MEE) last week, the child explained that he and his family have been the targets of online abuse, adding that the affair has caused him serious “mental pressure” and made him fear for his safety.

“I did not agree to the risk of me being targeted in any way before the documentary was broadcast on the BBC. So [if] anything happens to me, the BBC is responsible for it,” he said.

The boy also said the BBC had not reached out to him to apologize.

“Hamas Royalty”

His father has also denied claims that he and his son are “Hamas royalty” in an interview this week with MEE.

His comments came after pro-Israel activist David Collier alleged that Abdullah was the son of a deputy minister in Gaza’s government and was related to a co-founder of Hamas, Ibrahim al-Yazuri, who died in 2021.

The father is a civil servant in Gaza’s government – which is administered by Hamas.

Many Palestinians in Gaza have family or other connections to Hamas, which runs the government. This means that anyone working in an official capacity must also work with Hamas.

Collier, whose revelations sparked a national scandal, described Abdullah as the “child of Hamas royalty”, a claim later repeated by mainstream British newspapers.

The father said that his full name was Ayman Hasan Abdullah al-Yazuri, whereas the Hamas founder’s full name was Ibrahim Fares Ahmed al-Yazuri. He added that his father was named Hasan and died in 1975.

“Our family is not as some claim,” he told MEE, insisting he was not “Hamas royalty”.

“There are many individuals within our family who are affiliated with Fatah and the Popular Front for the Liberation of Palestine (PFLP), including some in leadership positions within these movements.”

Sparking Debate

The child’s interview with MEE about his experiences has sparked a debate on social media on media ethics and the BBC’s responsibility to protect the children it works with.

“I posted about this concern shortly after the BBC pulled this documentary,” said Chris Doyle, chair of the Council for Arab-British Understanding, responding to Abdullah’s video.

Several social media users have accused the BBC of exposing the child’s life to danger, and say the broadcaster has a responsibility to ensure his safety.

They have also highlighted Section 9 of the BBC’s editorial guidelines concerning children and young people as contributors, which states that the BBC “must take due care over the physical and emotional welfare and the dignity of under-18s who take part or are otherwise involved in our editorial content, irrespective of any consent given by them or by a parent, guardian or other person acting in loco parentis. Their welfare must take priority over any editorial requirement”.

There are also guidelines in the section that dictate that if a person under 18 is suspected to be at risk in the course of their work, “the situation must be referred promptly to the divisional Working with Children Adviser or, for independent production companies, to the commissioning editor”.

Section 9 also states that “procedures, risk assessments, and contingencies for the impact of participating on an individual’s emotional and mental well-being and welfare may be appropriate in some circumstances”.

Others also argued that the removal appeared to be another example of media bias against Palestinians according to the Quds News Network.

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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Top Writer Says ‘No’ to Berlinale

Top Indian writer Arundhati Roy has pulled out of the Berlin International Film Festival (Berlinale) after criticizing “unconscionable statements” by members of the festival jury, who said that art should not be political when asked about the Israeli genocide in Gaza.

Roy had been scheduled to attend a screening of her 1989 film In Which Annie Gives It Those Ones in the Classics section of Berlinale 2026.

In a strongly worded statement, Roy said the selection of the film had initially filled her with warmth and nostalgia. She noted that she had long felt disturbed by the positions of the German government and several cultural institutions on Palestine. Still, she said she had consistently received solidarity from German audiences when speaking about Gaza, which encouraged her to consider attending the festival.

However, Roy said she changed her decision after hearing comments from members of the Berlinale jury earlier that day.

“Like millions of people across the world, I heard the unconscionable statements made by members of the jury of the Berlin film festival when they were asked to comment about the genocide in Gaza,” Roy wrote.

She described labeling the genocide a political issue then insisting that art should remain separate from politics as “jaw-dropping.” She added that such framing shuts down urgent conversations about a crime against humanity.

Roy stated clearly in her message that she believes events in Gaza amount to genocide against Palestinians by Israel. She further added that the United States and Germany, along with several European governments, support and fund Israel and therefore share responsibility.

“If the greatest film makers and artists of our time cannot stand up and say so, they should know that history will judge them,” she wrote, adding that she felt “shocked and disgusted.”

Roy concluded her statement by confirming that, “with deep regret,” she would not attend the Berlinale.

The controversy emerged after journalists asked Berlinale jury members to comment on the genocide in Gaza and Germany’s support for Israel, which also funds the festival.

Polish producer Ewa Puszczyńska, a member of the jury, refused to answer.

“There are many other wars where genocide is committed, and we do not talk about that,” Puszczyńska said. She described the issue as “complex” and claimed that it was unfair to ask jury members to comment on government policies.

Roy’s withdrawal adds to rising tensions within European cultural spaces over the Israeli genocide in Gaza. Artists, writers, and filmmakers have increasingly debated whether cultural platforms should take political positions. – Quds News Network

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Gaza Radio Station Returns to The Airwaves

Broadcaster Rami Al-Sharafi works on a laptop inside the damaged Zaman FM radio station building in Gaza, marking what may seem an unlikely return to the airwaves amid the rubble of the deadly two-year Israel-Hamas war.

While 23 local radio stations were operating in Gaza before the conflict erupted, they were all destroyed and ceased broadcasting, he told UN News.

“Today, we are the only radio station broadcasting on FM from within Gaza after this widespread destruction,” he said. “We hope that other local radio stations will resume broadcasting, thus allowing competition in providing media services to the people of the Gaza Strip.”

Ahead of World Radio Day, observed on 13 February, the resumption of broadcasting comes at a time when Gaza’s media infrastructure still faces significant challenges amid local and international calls to support journalism as part of broader recovery and reconstruction efforts in the sector.

A journalist works at a desk in a damaged office in Gaza, viewed through broken pillars. Another person uses a laptop in the background.

UN News

A journalist works in the damaged office of Zaman 90.60 FM radio station in Gaza City.

Digging through the rubble

After a hiatus of nearly two years due to the war, some local radio stations in the Gaza Strip are transmitting again, in a move showing gradual efforts to revive the media landscape in the war-ravaged Strip – much of which has suffered widespread destruction of infrastructure and civilian institutions from Israeli attacks.

Zaman FM operates in the Tel al-Hawa neighbourhood of Gaza City, where Israeli attacks triggered a famine and left mountains of debris in the streets.

The cracked walls of the station’s building tell a story of immense destruction and the scene inside is unlike any other radio studio in the world. 

Employees dig through the rubble to keep the station broadcasting, working with minimal technical resources while behind them, awareness posters warn people of the dangers of dilapidated buildings.

On-air messages of hope

Local radio remains vital in Gaza as humanitarian crises persist, power outages continue and access to other media remains limited. This makes radio one of the most effective ways of getting key messages out to the public, along with health guidance and information about other services.

Gaza is in dire need of professional local radio stations capable of broadcasting awareness messages and guidance bulletins in light of the spread of diseases, the deterioration of the education system and the disruption of many basic services, said Mr. Al-Sharafi, director of the radio station and host of the morning programme, An Hour of Time.

“We need to deliver information to the population and guide them to the services that have stopped and are gradually being resumed,” he said, “especially in light of the difficult health conditions and the spread of epidemics.”

Amid the destruction all around, Mr. Al-Sharafi sits behind his dust-covered microphone and does just that. 

He sends morning greetings to Gaza residents and provides them with important information and updates, bringing some much-needed hope to the airwaves across a devastated landscape that has only just begun to recover – UN News

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