Faris Odeh: Defiance and Courage

The revolution lives on! 24 years ago, to this day, a photo was taken that is proving to be a historical panorama, an image that will live in the hearts of many.

In Palestine. It was the picture of Faris Odeh, he just turned 14 years old. His defiance and courage, we learn from.

He was killed 10 days after this photo was taken by an Israeli soldier who shot him in the neck.

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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200 Israeli Film-makers Support Gaza Documentary

More than 200 Israeli filmmakers have signed a petition supporting the creators of NAZA, a documentary featuring testimony from Israeli military and intelligence personnel about the army’s operations in Gaza, Israeli media reported Monday.

The signatories include prominent directors Ari Folman, Shlomi Elkabetz, Ran Tal and Michal Aviad.

“The central role of art and journalism is to hold a mirror up to the society in which they exist,” the petition said.

The initiative came amid growing criticism and threats directed at the film’s creators, Yuval Abraham and Rachel Szor, after the documentary won the Special Jury Prize at the 83rd Venice International Film Festival.

Israeli Culture and Sports Minister Miki Zohar branded the filmmakers’ work an act of “treason” and said he would seek to revoke their Israeli citizenship.

The culture minister does not have the power to revoke citizenship unilaterally. Such a measure would require a formal legal process involving the interior minister and the courts under Israeli law.

NAZA, produced by British newspaper The Guardian and JW Films, is based on interviews with 24 anonymous Israeli military and intelligence insiders about surveillance, target selection and strikes in Gaza.

The film takes its name from the Hebrew military abbreviation for “collateral damage,” referring to the estimated number of civilians expected to be killed in an attack.

Interviewees describe the use of artificial intelligence and mass surveillance to identify targets as well as attacks approved despite anticipated civilian casualties.

Abraham and Szor said the documentary focuses on institutional policies, orders and operational practices rather than isolated misconduct by individual soldiers.

The Israeli army rejected the film’s allegations and questioned the reliability of testimony from anonymous sources whose identities, ranks and areas of responsibility could not be verified.

It also denied that artificial intelligence determines which targets are attacked, saying strike selection and authorization decisions are made by human personnel in accordance with military directives.

Abraham and Szor previously worked on the Academy Award-winning documentary No Other Land alongside Palestinian filmmakers Basel Adra and Hamdan Ballal. Anadolu

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Art of ‘Israeli’ Mutilation

Said Elatab writes:

My new painting, “The Mutilated Little Girl,” is a response to the ongoing destruction in Gaza. Thousands of children have suffered devastating injuries, including the loss of legs, hands, and limbs as a result of missile strikes and explosions. This painting reflects on the lifelong consequences of surviving such violence. For many children, these injuries mean a future marked by physical dependence, emotional trauma, and the constant awareness of what has been taken from them. Through this painting, I invite viewers to reflect on the human cost of war—especially for children, who bear the consequences of violence they did nothing to create. Please share it.

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