The Key of Return

“Childhood Hope” by artist Evone Alawi.

Original Oil Painting is available for purchase from the owner

PalArts page

  • CrossFireArabia

    CrossFireArabia

    Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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    View of The Abu Taha Family in Yafa, 1940

    From Palestine History: This is a rare photograph from inside the Abu Taha family palace in the Ajami neighborhood of Yafa in what was known as the whole of Palestine. The Abu Taha household was one of the most prominent families in the city. They were known for exporting oranges all over the world. The photograph dates from 1940.

    Seda Ayad writes:

    This isn’t just an old photograph… it’s a window, opened for a few seconds, onto the Yafa of yesteryear, the story of a city whose oranges reached the world, and whose families built a legacy of trade and prosperity.

    Inside the Abu Taha family palace in the Ajami neighborhood in 1940. This photograph stands as a testament to a time when Yafa had a different face… elegance, wealth, and vibrant life, before the years of change altered the landscape and its people.

    Every angle in this photograph speaks volumes… and every detail deserves our attention.

    Thank you to the author who doesn’t just publish a photograph from the past, but restores a piece of our almost lost memory.

    Yafa isn’t just seen in photographs… Yafa is read in its details.

    Continue reading
    The Face of Innocence

    By Ibrahim Isam

    They wake in Gaza searching for water, for a little laughter, for a ball to chase, for the sea to watch, for a home they can still draw even when it no longer stands. And at night, they sleep carrying a quiet image of another morning.
    Perhaps that is why this little girl’s gaze feels so distant. It seems to look beyond the camera, beyond the ruins, toward a morning that has not yet arrived.
    A child does not want to be a symbol of war, a witness, or a number in a report.
    A child simply wants to grow.
    A school.
    A window.
    A friend.
    A sea without fear.
    A mother saying, “Go. I’ll see you tonight.”
    Perhaps hope is not believing that the world will suddenly become kind. Perhaps it is simply refusing to let its cruelty live inside us.
    So when a child from Gaza looks at us like this, let us pause.
    There is still a morning in those eyes—
    one the war has not yet managed to destroy

    Continue reading

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