Gaza Novelist Determined to Rebuild His Library

In the Shati Camp novelist well-known Yousri Alghoul is determined to rebuild his library that was decimated along with his house by an Israeli airstrike.

Alghoul’s turned his personal library of about 3,000 books, into a “community space” in his home in 2022. The library was hit by an Israeli airstrike in the fall of 2023, and he lost his home and his precious books.

“Most of these books were literary works….novels and short stories and poems,” he tells Arablit Quarterly, adding that however, he is not giving up.

Undeterred, Alghoul today is trying to rebuild his library to its former status and has started a fundraising campaign on GoFundMe to buy books according to TRT.

My vision is to create a community library for refugees in my community in North Gaza that stands as a testament to our resilience and culture, and our unwavering belief in the power of knowledge.” 

Today his name is trending on the social media as a novelist who will not be deterred despite the death and destruction meted out by the Israeli army on the Gaza population and communities.

Today he leads informal poetry workshops for children, encouraging them to express their experiences despite the dire circumstances. Over 80% of Gaza’s schools have been damaged or destroyed, but the young poets continue to write.

Notable works include those from: Raouf Yousri Abdel Raouf Al Ghoul (12 years old): “I am a broken-necked bird, My existence among the rubble.” Mahmoud Al Hanawi (10 years old): “The birds of the sky wept, and the stars in the sky faded…”

On 13 July 2024, barely two weeks after mentoring the children, Alghoul’s friend was killed in an Israeli airstrike on the Shati camp, and injuring him. He remains in a hospital but the young poets of Gaza are safe. They continue writing poems to bear witness to the war in Gaza.

Israeli airstrikes have deliberately targeted most universities, colleges, and schools in Gaza. According to the United Nations, more than 80 percent of Gaza’s schools have been damaged or destroyed since October 7, 2023.

The UN reports over 16,000 Palestinian children have been killed, more than 34,000 injured, and 17,000 orphaned. Gaza’s water capacity has plummeted by 94%, leading to severe shortages and a rise in waterborne diseases, including polio. Famine has also intensified due to the destruction of agriculture and delays in humanitarian aid according to the Quds News Network.

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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Paris Exhibit Itches Out GAZA

As Israel’s continues its devastating war and relentless humanitarian blockade, the ancient Gaza Strip – once a radiant Mediterranean hub of commerce, culture, and religious coexistence – now faces a deeper erasure: not just from maps, but from the world’s collective memory.

A new exhibition at the Institut du Monde Arabe in Paris, titled ‘Gaza’s Saved Treasures: 5,000 Years of History,’ seeks to resist that disappearance. Running from April to November this year, the show presents around 100 archaeological masterpieces that illuminate Gaza’s extraordinary legacy as a crossroads of civilizations – from the Bronze Age to modern times.

The exhibition is both a celebration and a lament: a tribute to Gaza’s millennia-old cultural wealth, and a sober reckoning with what has been lost to Israel’s deadly occupation.

Gaza’s strategic location has always made it a coveted prize for empires – Egyptian, Persian, Roman, and Ottoman – but it was also a channel for connection, where cultures and religions converged.

The exhibit – with amphorae, oil lamps, coins, statuettes, and mosaics on display – tells the story of Gaza as a vital Mediterranean port and cultural meeting point.

Its history – shaped by Canaanite, Egyptian, Philistine, Neo-Assyrian, Babylonian, Persian, Greek, Roman, Byzantine, Islamic, and Crusader influences – reveals a city that flourished at the heart of ancient trade and intellectual exchange.

Among the most striking items is a dazzling Byzantine mosaic from Jabaliya, part of an ecclesiastical complex reflecting Gaza’s early Christian heritage.

Nearby, amphorae once used in the wine trade testify to the city’s crucial role in Mediterranean commerce, while figurines blend Egyptian motifs with Hellenistic gods, echoing a world of syncretism and porous cultural boundaries.

Race against oblivion

Since the start of Israel’s war on Gaza in October 2023, the territory’s cultural heritage has suffered catastrophic damage.

According to UNESCO, nearly 70 cultural sites have been destroyed or severely damaged, including the historic Greek Orthodox Church of Saint Porphyry – one of the oldest active churches in the world.

Where once stood mosaics, temples, and centuries-old tombs, there are now craters and rubble due to Israel’s ongoing bombardment. In this context, the exhibition in Paris becomes something urgent and defiant: a safeguard for memory, a museum in exile.

Much of the exhibition’s content is drawn from a trove of over 500 artifacts housed since 2007 at Geneva’s Museum of Art and History, entrusted to Switzerland by the Palestinian National Authority for safekeeping.

Many of the works stem from Franco-Palestinian excavations launched in 1995, supplemented by pieces from private collections – some of which are being shown publicly for the first time.

The curators have taken care not to separate Gaza’s ancient grandeur from the present-day suffering inflicted by Israel.

One dedicated section of the exhibition uses satellite imagery and field reports to map the devastation inflicted on cultural heritage since 2023.

French, Swiss, and Palestinian scholars have contributed rare documentation – including early 20th-century photographs of Gaza – that provide a visual archive of what once was and what may never return.

The exhibition makes no attempt to hide the political context. It explicitly refers to the destruction as part of “Israel’s brutal genocide,” anchoring the cultural annihilation in a broader system of occupation, blockade, and war.

By doing so, the Paris exhibition challenges the silence often surrounding cultural loss in war zones, raising questions about the responsibilities of international institutions and the politics of preservation as reported in Anadolu.

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‘Not A Single Mosque Remains Standing’

Not a single historic mosque in Gaza remains untouched following months of relentless Israeli bombardment, according to British archaeologist Claudine Dauphin.

“Every historic mosque in Gaza has been either partially or completely destroyed,” said Dauphin, who is affiliated with several archaeological missions in the region.

Among the most significant losses are the Omari Mosque and the KatibWilaya Mosque, both located in the Zaytun quarter of Gaza’s Old City. The KatibWilaya Mosque was originally constructed with funding from Ahmad Bey, the province’s chief secretary (katibwilaya) in 1586 during the Ottoman period. 

Its minaret once stood beside the bell tower of the Church of St. Procopius, symbolizing centuries of Muslim-Christian coexistence in Gaza—a connection also evident in the mosaic floors of the nearby Jabaliya Church.

“In the Shuja’iyya quarter, the Mamluk-era Zafardamri Mosque, built in 1360, was deliberately leveled in an airstrike,” Dauphin added. “The Mahkama Mosque, also Mamluk in origin, was similarly destroyed during the 2014 assault and again in the current offensive.”

The destruction extended beyond Mamluk and Ottoman heritage. The Othman Bin Qashqar Mosque was struck during an air raid in December 2023, and the Sayyid Hashim Mosque, built in Ottoman style and covering 2,400 square meters, was razed in the Daraj quarter.

Shrines, too, have been systematically targeted. The shrine of the Prophet Yusuf near Jabaliya, destroyed in 2014, was followed by widespread losses since October 2023. 

Among the shrines destroyed are the Al Husseini, Abu Al Azim, Ali Abu Al Kass, and Ali ibn Marwan shrines in Gaza City, as well as the Sheikh ‘Ali Al Mintar and Shaykh Radwan shrines on Tel Al-Mintar. Numerous other maqamat (shrines) in Al Shaykh ‘Ajlun were also obliterated.

Of special cultural and interfaith significance was the shrine of Al Khidr in Rafah, which held particular meaning for Christians who believed it housed the tomb of St. Hilarion, founder of Palestinian monasticism.

Modern mosques, built after the Ottoman period, were not spared. According to a January 2024 report by the Palestinian Ministry of Awqaf and Religious Affairs, at least 1,000 of the 1,200 modern mosques in the Gaza Strip have been partially or entirely destroyed.

“Among the losses in Gaza City are the Ali Ibn Marwan, Shaikh Zakaria, Al Mughrabi, and Sett Ruqayya mosques,” Dauphin noted.

Cultural and educational institutions were also hit. The Al Kamiliya Madrasa, built in 1237 by Ayyubid Sultan Al Kamil and featuring a central courtyard and two floors, was the last historic madrasa still standing in Gaza before it was destroyed. It had served both as a Quranic school and a shelter for poor students and travelers until 1930.

Cemeteries have not been spared either. At least 16 Muslim cemeteries across the Gaza Strip have been damaged or destroyed since October 2023. Among them is the Beit Hanoun Cemetery near Khan Yunis, which was reportedly excavated by Israeli forces. 

The Israeli military claimed they were searching for a Hamas tunnel or hostages, but provided no evidence, and independent verification of the alleged tunnel has not been possible.

“These sacred spaces, mosques, shrines, schools, and cemeteries, are not only part of Gaza’s cultural fabric,” Dauphin said. “Their destruction represents a profound loss of historical heritage, not just for Palestinians but for humanity.”

This report was written by Saeb Al Rawashdeh for The Jordan Times

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