Neo Sora: World Cinema Failed Gaza

Japanese-American film director Neo Sora said the world of cinema has failed to adequately respond to the genocide in Gaza, stressing the need for a stronger reaction during his appearance at the 2024 Venice International Film Festival.

US-born Sora, who posed with a Palestinian keffiyeh and a flag reading “Free Palestine” at the festival, discussed the art world’s attitude towards Palestine with Anadolu.

Describing the positive response he received at the festival, Sora said: “In Venice, there was a resounding applause for the keffiyeh and the Palestinian flag. People were shouting from the audience, ‘Free Palestine,’ and I was responding by saying, ‘Free Palestine.’

“Making films and having the privilege to attend international festivals like Venice gives me a huge platform to have my voice heard by people globally, including Japanese audiences,” he said.

Sora also expressed disappointment with the festival’s programing, saying: “I was a little disappointed because you could tell they were trying to create an equivalency by including one Israeli film and one Palestinian film in the same section of Orizzonti, where my film was featured.”

Oct. 7 and reality of genocide

“I was in New York on Oct. 7, 2023, when it happened. It was really difficult to stay motivated to finish my film in the face of such extreme, livestreamed genocide, the likes of which I’ve never seen in my lifetime. I think it’s the worst genocide we’ve witnessed.

“I questioned whether I could continue making films because what’s the point of telling stories about human dignity when we’re witnessing such horrific violence that strips people of their humanity? After reflecting on the past year, I am 100% convinced that it is indeed genocide,” said Sora, recalling events from Oct. 7 last year.

Sora added that Israel’s settler colonialism isn’t just a Palestinian narrative. “It’s not something I’ve only been convinced of through Palestinian voices. Israelis themselves say it’s a settler colonial project. Look at the words of people like David Ben-Gurion or the founders of the Zionist movement; they called it a settler colonialist project.”

Palestinian culture being destroyed

Sora emphasized the importance of boycotting organizations that support Israel, saying: “As consumers, boycot is critical. We need to show these big corporations that if they make films like Wonder Woman, or Marvel featuring Gal Gadot, who’s basically a spokesperson for the IDF, they’ll lose money because we won’t support those projects.”

“We’re at the start of an AI dystopia. More concerning, though, is that the responsibility for these war crimes is being shifted to military AI systems created by Israeli military and software companies. This is a disastrous situation, especially given the environmental impact of these AI systems,” Sora said, highlighting Israel’s attempts to evade accountability.

‘We are at a historic turning point’

Sora pointed out that artists and others are not doing enough to stop the genocide in Gaza.

“The fact that this genocide has continued for 367 days and now these atrocities by Israel are spreading to other countries, like Lebanon, shows we’re not doing enough. We all need to do more, whether we’re filmmakers, businessmen, lawyers, or professionals in any other field,” he concluded.

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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Top Writer Says ‘No’ to Berlinale

Top Indian writer Arundhati Roy has pulled out of the Berlin International Film Festival (Berlinale) after criticizing “unconscionable statements” by members of the festival jury, who said that art should not be political when asked about the Israeli genocide in Gaza.

Roy had been scheduled to attend a screening of her 1989 film In Which Annie Gives It Those Ones in the Classics section of Berlinale 2026.

In a strongly worded statement, Roy said the selection of the film had initially filled her with warmth and nostalgia. She noted that she had long felt disturbed by the positions of the German government and several cultural institutions on Palestine. Still, she said she had consistently received solidarity from German audiences when speaking about Gaza, which encouraged her to consider attending the festival.

However, Roy said she changed her decision after hearing comments from members of the Berlinale jury earlier that day.

“Like millions of people across the world, I heard the unconscionable statements made by members of the jury of the Berlin film festival when they were asked to comment about the genocide in Gaza,” Roy wrote.

She described labeling the genocide a political issue then insisting that art should remain separate from politics as “jaw-dropping.” She added that such framing shuts down urgent conversations about a crime against humanity.

Roy stated clearly in her message that she believes events in Gaza amount to genocide against Palestinians by Israel. She further added that the United States and Germany, along with several European governments, support and fund Israel and therefore share responsibility.

“If the greatest film makers and artists of our time cannot stand up and say so, they should know that history will judge them,” she wrote, adding that she felt “shocked and disgusted.”

Roy concluded her statement by confirming that, “with deep regret,” she would not attend the Berlinale.

The controversy emerged after journalists asked Berlinale jury members to comment on the genocide in Gaza and Germany’s support for Israel, which also funds the festival.

Polish producer Ewa Puszczyńska, a member of the jury, refused to answer.

“There are many other wars where genocide is committed, and we do not talk about that,” Puszczyńska said. She described the issue as “complex” and claimed that it was unfair to ask jury members to comment on government policies.

Roy’s withdrawal adds to rising tensions within European cultural spaces over the Israeli genocide in Gaza. Artists, writers, and filmmakers have increasingly debated whether cultural platforms should take political positions. – Quds News Network

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Gaza Radio Station Returns to The Airwaves

Broadcaster Rami Al-Sharafi works on a laptop inside the damaged Zaman FM radio station building in Gaza, marking what may seem an unlikely return to the airwaves amid the rubble of the deadly two-year Israel-Hamas war.

While 23 local radio stations were operating in Gaza before the conflict erupted, they were all destroyed and ceased broadcasting, he told UN News.

“Today, we are the only radio station broadcasting on FM from within Gaza after this widespread destruction,” he said. “We hope that other local radio stations will resume broadcasting, thus allowing competition in providing media services to the people of the Gaza Strip.”

Ahead of World Radio Day, observed on 13 February, the resumption of broadcasting comes at a time when Gaza’s media infrastructure still faces significant challenges amid local and international calls to support journalism as part of broader recovery and reconstruction efforts in the sector.

A journalist works at a desk in a damaged office in Gaza, viewed through broken pillars. Another person uses a laptop in the background.

UN News

A journalist works in the damaged office of Zaman 90.60 FM radio station in Gaza City.

Digging through the rubble

After a hiatus of nearly two years due to the war, some local radio stations in the Gaza Strip are transmitting again, in a move showing gradual efforts to revive the media landscape in the war-ravaged Strip – much of which has suffered widespread destruction of infrastructure and civilian institutions from Israeli attacks.

Zaman FM operates in the Tel al-Hawa neighbourhood of Gaza City, where Israeli attacks triggered a famine and left mountains of debris in the streets.

The cracked walls of the station’s building tell a story of immense destruction and the scene inside is unlike any other radio studio in the world. 

Employees dig through the rubble to keep the station broadcasting, working with minimal technical resources while behind them, awareness posters warn people of the dangers of dilapidated buildings.

On-air messages of hope

Local radio remains vital in Gaza as humanitarian crises persist, power outages continue and access to other media remains limited. This makes radio one of the most effective ways of getting key messages out to the public, along with health guidance and information about other services.

Gaza is in dire need of professional local radio stations capable of broadcasting awareness messages and guidance bulletins in light of the spread of diseases, the deterioration of the education system and the disruption of many basic services, said Mr. Al-Sharafi, director of the radio station and host of the morning programme, An Hour of Time.

“We need to deliver information to the population and guide them to the services that have stopped and are gradually being resumed,” he said, “especially in light of the difficult health conditions and the spread of epidemics.”

Amid the destruction all around, Mr. Al-Sharafi sits behind his dust-covered microphone and does just that. 

He sends morning greetings to Gaza residents and provides them with important information and updates, bringing some much-needed hope to the airwaves across a devastated landscape that has only just begun to recover – UN News

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