‘Yes, it is Genocide,’ Leading Israeli Author Says

David Grossman, one of Israel’s most prominent authors, told Italian daily La Repubblica he has decided to start using the word “genocide” to describe the situation in Gaza.

“For years, I refused to use the word ‘genocide.’ But now I can’t hold back from using it, after what I’ve read in the newspapers, after the images I’ve seen and after talking to people who have been there”, he said in the interview published in the paper’s print edition on Friday.

Grossman said coming to the realization that Israel is committing genocide in Gaza was an extremely painful process on a personal level, but that he now found such conclusion inescapable.

“I want to speak as a person who has done everything he could to avoid having to call Israel a genocidal state. And now, with immense pain and a broken heart, I have to say that it is happening before my eyes. Genocide,” he said.

The Israeli writer went on to say he now feels a moral obligation to speak up. “I feel an inner urgency to do the right thing, and now it is the time to do it,” Grossman said.

Asked by the journalist about the spiraling death toll in Gaza, he said: “I feel sick. Even though I know that those numbers are controlled by Hamas and that Israel cannot be solely responsible for all the atrocities we are witnessing. Nevertheless, reading in the newspaper or hearing in conversations with friends in Europe the juxtaposition of the words ‘Israel’ and ‘hunger’; to do so starting from our history, from our supposed sensitivity to the suffering of humanity, from the moral responsibility we have always claimed to have towards every human being and not only towards Jews… all this is devastating”, he said.

Grossman’s words come amid growing condemnation of Israel for its actions in Gaza on the international stage, and as several countries, including France and Britain, have pledged to recognize a Palestinian state in the near future.

Palestinians receive food at an aid distribution hub in Gaza City, Friday.

The use of the word genocide to describe Israel’s war in Gaza is also becoming more common in international intellectual circles.

In mid-July, an opinion piece titled “I’m a Genocide Scholar. I Know It When I See It” in the New York Times by Professor Omer Bartov, an Israeli professor of Holocaust and genocide studies at Brown University, made the case for the use of the word genocide.

Grossman, who is one of Israel’s most well-known writers abroad, has long been a vocal critic of Israel’s occupation of Palestinian territories. The editor of The New Yorker, David Remnick, recently described him as “the only [living Israeli] novelist with comparable moral authority” to that of the late Amos Oz. In the interview in La Repubblica, he reiterated that he considers Israel’s occupation of the West Bank and Gaza after the Six-Day War as a key watershed moment in the country’s history.

“I am absolutely convinced that Israel’s curse began with the occupation of the Palestinian territories in 1967. Perhaps people are tired of hearing about it, but that is how it is,” he said.

Grossman also noted it is critical to ensure those harboring antisemitic sentiments do not “use and manipulate” the word genocide. He also criticized Hamas for turning Gaza into a base for launching rockets into Israel in the aftermath of Israel’s withdrawal in 2005.

“The Palestinians’ big mistake is that they could have turned the Strip into a thriving place, but instead they gave in to fanaticism and used it as a launching pad for missiles against Israel”, he said.

“If they had made the other choice, perhaps this would have prompted Israel to also give up the West Bank and end the occupation years ago”, he said.

Grossman also added that many around the world still fail to understand the magnitude of the trauma of October 7 for Israelis.

“Many people still don’t understand what it meant for us. Many people I know [in Israel] have abandoned our common left-wing values since that day; they have given in to fear, and suddenly their lives have become easier, they feel accepted by the majority, they no longer need to think,” he said.

Grossman considers resettling Gaza, as some Israeli ministers advocate, wrong and self-defeating. “I hear people like Smotrich and Ben-Gvir saying that we must rebuild settlements in Gaza, but what are they saying? Don’t they remember what happened when we were there, with Hamas killing hundreds of Israeli civilians, women and children, without us being able to protect them? We did not leave Gaza out of generosity, but because we could not protect our people”, he argued.

Looking forward, Grossman said he remains a believer in the two-state solution. As such, he praised French President Emmanuel Macron’s decision to recognize a Palestinian state, that was followed by similar statements by other leaders. “I don’t understand the hysteria it has provoked here in Israel”, he said.

Finally, Grossman rejected accusations that Israel’s cultural elites should have taken a stronger stance on what is happening in Gaza a lot faster. “I believe that targeting those who have fought the Occupation for 70 years, who have invested most of their lives and careers in this battle, is unfair”, he concluded.

Haaretz

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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Top Writer Says ‘No’ to Berlinale

Top Indian writer Arundhati Roy has pulled out of the Berlin International Film Festival (Berlinale) after criticizing “unconscionable statements” by members of the festival jury, who said that art should not be political when asked about the Israeli genocide in Gaza.

Roy had been scheduled to attend a screening of her 1989 film In Which Annie Gives It Those Ones in the Classics section of Berlinale 2026.

In a strongly worded statement, Roy said the selection of the film had initially filled her with warmth and nostalgia. She noted that she had long felt disturbed by the positions of the German government and several cultural institutions on Palestine. Still, she said she had consistently received solidarity from German audiences when speaking about Gaza, which encouraged her to consider attending the festival.

However, Roy said she changed her decision after hearing comments from members of the Berlinale jury earlier that day.

“Like millions of people across the world, I heard the unconscionable statements made by members of the jury of the Berlin film festival when they were asked to comment about the genocide in Gaza,” Roy wrote.

She described labeling the genocide a political issue then insisting that art should remain separate from politics as “jaw-dropping.” She added that such framing shuts down urgent conversations about a crime against humanity.

Roy stated clearly in her message that she believes events in Gaza amount to genocide against Palestinians by Israel. She further added that the United States and Germany, along with several European governments, support and fund Israel and therefore share responsibility.

“If the greatest film makers and artists of our time cannot stand up and say so, they should know that history will judge them,” she wrote, adding that she felt “shocked and disgusted.”

Roy concluded her statement by confirming that, “with deep regret,” she would not attend the Berlinale.

The controversy emerged after journalists asked Berlinale jury members to comment on the genocide in Gaza and Germany’s support for Israel, which also funds the festival.

Polish producer Ewa Puszczyńska, a member of the jury, refused to answer.

“There are many other wars where genocide is committed, and we do not talk about that,” Puszczyńska said. She described the issue as “complex” and claimed that it was unfair to ask jury members to comment on government policies.

Roy’s withdrawal adds to rising tensions within European cultural spaces over the Israeli genocide in Gaza. Artists, writers, and filmmakers have increasingly debated whether cultural platforms should take political positions. – Quds News Network

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Gaza Radio Station Returns to The Airwaves

Broadcaster Rami Al-Sharafi works on a laptop inside the damaged Zaman FM radio station building in Gaza, marking what may seem an unlikely return to the airwaves amid the rubble of the deadly two-year Israel-Hamas war.

While 23 local radio stations were operating in Gaza before the conflict erupted, they were all destroyed and ceased broadcasting, he told UN News.

“Today, we are the only radio station broadcasting on FM from within Gaza after this widespread destruction,” he said. “We hope that other local radio stations will resume broadcasting, thus allowing competition in providing media services to the people of the Gaza Strip.”

Ahead of World Radio Day, observed on 13 February, the resumption of broadcasting comes at a time when Gaza’s media infrastructure still faces significant challenges amid local and international calls to support journalism as part of broader recovery and reconstruction efforts in the sector.

A journalist works at a desk in a damaged office in Gaza, viewed through broken pillars. Another person uses a laptop in the background.

UN News

A journalist works in the damaged office of Zaman 90.60 FM radio station in Gaza City.

Digging through the rubble

After a hiatus of nearly two years due to the war, some local radio stations in the Gaza Strip are transmitting again, in a move showing gradual efforts to revive the media landscape in the war-ravaged Strip – much of which has suffered widespread destruction of infrastructure and civilian institutions from Israeli attacks.

Zaman FM operates in the Tel al-Hawa neighbourhood of Gaza City, where Israeli attacks triggered a famine and left mountains of debris in the streets.

The cracked walls of the station’s building tell a story of immense destruction and the scene inside is unlike any other radio studio in the world. 

Employees dig through the rubble to keep the station broadcasting, working with minimal technical resources while behind them, awareness posters warn people of the dangers of dilapidated buildings.

On-air messages of hope

Local radio remains vital in Gaza as humanitarian crises persist, power outages continue and access to other media remains limited. This makes radio one of the most effective ways of getting key messages out to the public, along with health guidance and information about other services.

Gaza is in dire need of professional local radio stations capable of broadcasting awareness messages and guidance bulletins in light of the spread of diseases, the deterioration of the education system and the disruption of many basic services, said Mr. Al-Sharafi, director of the radio station and host of the morning programme, An Hour of Time.

“We need to deliver information to the population and guide them to the services that have stopped and are gradually being resumed,” he said, “especially in light of the difficult health conditions and the spread of epidemics.”

Amid the destruction all around, Mr. Al-Sharafi sits behind his dust-covered microphone and does just that. 

He sends morning greetings to Gaza residents and provides them with important information and updates, bringing some much-needed hope to the airwaves across a devastated landscape that has only just begun to recover – UN News

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