‘Yes, it is Genocide,’ Leading Israeli Author Says

David Grossman, one of Israel’s most prominent authors, told Italian daily La Repubblica he has decided to start using the word “genocide” to describe the situation in Gaza.

“For years, I refused to use the word ‘genocide.’ But now I can’t hold back from using it, after what I’ve read in the newspapers, after the images I’ve seen and after talking to people who have been there”, he said in the interview published in the paper’s print edition on Friday.

Grossman said coming to the realization that Israel is committing genocide in Gaza was an extremely painful process on a personal level, but that he now found such conclusion inescapable.

“I want to speak as a person who has done everything he could to avoid having to call Israel a genocidal state. And now, with immense pain and a broken heart, I have to say that it is happening before my eyes. Genocide,” he said.

The Israeli writer went on to say he now feels a moral obligation to speak up. “I feel an inner urgency to do the right thing, and now it is the time to do it,” Grossman said.

Asked by the journalist about the spiraling death toll in Gaza, he said: “I feel sick. Even though I know that those numbers are controlled by Hamas and that Israel cannot be solely responsible for all the atrocities we are witnessing. Nevertheless, reading in the newspaper or hearing in conversations with friends in Europe the juxtaposition of the words ‘Israel’ and ‘hunger’; to do so starting from our history, from our supposed sensitivity to the suffering of humanity, from the moral responsibility we have always claimed to have towards every human being and not only towards Jews… all this is devastating”, he said.

Grossman’s words come amid growing condemnation of Israel for its actions in Gaza on the international stage, and as several countries, including France and Britain, have pledged to recognize a Palestinian state in the near future.

Palestinians receive food at an aid distribution hub in Gaza City, Friday.

The use of the word genocide to describe Israel’s war in Gaza is also becoming more common in international intellectual circles.

In mid-July, an opinion piece titled “I’m a Genocide Scholar. I Know It When I See It” in the New York Times by Professor Omer Bartov, an Israeli professor of Holocaust and genocide studies at Brown University, made the case for the use of the word genocide.

Grossman, who is one of Israel’s most well-known writers abroad, has long been a vocal critic of Israel’s occupation of Palestinian territories. The editor of The New Yorker, David Remnick, recently described him as “the only [living Israeli] novelist with comparable moral authority” to that of the late Amos Oz. In the interview in La Repubblica, he reiterated that he considers Israel’s occupation of the West Bank and Gaza after the Six-Day War as a key watershed moment in the country’s history.

“I am absolutely convinced that Israel’s curse began with the occupation of the Palestinian territories in 1967. Perhaps people are tired of hearing about it, but that is how it is,” he said.

Grossman also noted it is critical to ensure those harboring antisemitic sentiments do not “use and manipulate” the word genocide. He also criticized Hamas for turning Gaza into a base for launching rockets into Israel in the aftermath of Israel’s withdrawal in 2005.

“The Palestinians’ big mistake is that they could have turned the Strip into a thriving place, but instead they gave in to fanaticism and used it as a launching pad for missiles against Israel”, he said.

“If they had made the other choice, perhaps this would have prompted Israel to also give up the West Bank and end the occupation years ago”, he said.

Grossman also added that many around the world still fail to understand the magnitude of the trauma of October 7 for Israelis.

“Many people still don’t understand what it meant for us. Many people I know [in Israel] have abandoned our common left-wing values since that day; they have given in to fear, and suddenly their lives have become easier, they feel accepted by the majority, they no longer need to think,” he said.

Grossman considers resettling Gaza, as some Israeli ministers advocate, wrong and self-defeating. “I hear people like Smotrich and Ben-Gvir saying that we must rebuild settlements in Gaza, but what are they saying? Don’t they remember what happened when we were there, with Hamas killing hundreds of Israeli civilians, women and children, without us being able to protect them? We did not leave Gaza out of generosity, but because we could not protect our people”, he argued.

Looking forward, Grossman said he remains a believer in the two-state solution. As such, he praised French President Emmanuel Macron’s decision to recognize a Palestinian state, that was followed by similar statements by other leaders. “I don’t understand the hysteria it has provoked here in Israel”, he said.

Finally, Grossman rejected accusations that Israel’s cultural elites should have taken a stronger stance on what is happening in Gaza a lot faster. “I believe that targeting those who have fought the Occupation for 70 years, who have invested most of their lives and careers in this battle, is unfair”, he concluded.

Haaretz

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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An Egyptian House in a German Town

An Arab house in a German town, all the trappings of a different culture, Egyptian, Jordanian, Syrian, and Yemeni, an Oriental setting in a traditional western German context.

The town is Bruchsal, to the west of Frankfurt, owners, the Burkards, they fell in love with a different culture, and decided to “transport it” to their house and in their lands, having lived in Cairo in the 1970s and 1980s.

Helmut Burkard and his wife Beta decided to pack their belongings and their kids in 1974 and move to Cairo. Neighbors told him “you are mad” to go to the Middle East at that precise moment. “Its dangerous.”

But he wasn’t swayed. They loved every single minute of it. Helmut teaching music at a convent, Beta, an economist by training had become a proper housewife, and the two kids growing up.

Over the years Beta spent her time collecting traditional artifacts, souvenirs, paintings and different copies of the Quran from Cairo’s old Souqs and Bazaars as she had a preordained feeling that one day she and her family would go back to their home on Mozart Way and fill it and make it a house of converging cultures.

And so today as you enter the house, you are immediately struck by the mementos, artifacts, framed pictures, the rugs, swords, scabbards hanging on the different walls of the house. The speak of a different culture, and a far away civilization embedded in a geographical separateness, novel, yet very human.

What’s fascinating about this house is that it’s totally covered with trinkets and memorabilia. The stairs, landing, living room, bedrooms all smell of a civilization that is anything but German, yet relaxing and soothing.

Pottery, pans, Arabic coffee pots, earrings worm by Bedouin women adorned the place from head to foot together with wall paintings by different Egyptian artists.

In fact, if it wasn’t for the large black piano in the living room, and the number of German books, a visitor like way would be forgiven for thinking the house belongs to a foreign family living in rural Germany.

Every wall, every corner, nook and cranny of every room—literally—filled with every aspect of an Arab life which the Burkards lived either in the long stretch in Cairo, and or the vacationing he used to take his family to in different parts of Jordan, Syria and Yemen.

Beta just kept collecting on these holidays inevitably made driving through these areas. “I wanted my family to experience these countries by roads, and not through planes,” he used to say.

The house is an Arabic treasure. On Mozart Way, you can’t say, “oh I want to write an impressionistic piece on this house” simply because of the intricate detail involved in these artifacts. The house tells a story of a past the Burkard’s lived in. If you let Beta go on, she would speak for ages on how she got this piece, and from which Souq she had to go to.

You can’t point to any particular room and say this is the pride and joy of the Burkards. They are all special. Take the living room, for instance. One is struck by its aura of combination of religiosity, culture, art, music and literature that spanned across.

There was picture frame of Al Faateha (Opening chapter of the Quran), engravings of the name of Allah (God) and Prophet Mohammad on different plates.

In a small side section named by Helmut Burkard as the “Arabic room”, there is a mixture of Arabesque and teak, a desk, a large rounded Arabesque coffee table with a copper plate and a traditional wooden shield used as a divide from one section of the house to another.

Of course both husband and wife know what all these means. Helmut speaks good Arabic with an Egyptian accent, so does Beta although she didn’t let on. But Helmut was directly in touch with the local population, that’s why he picked up the accent and the slang.

After Egypt the Burkards went back to Germany, however, Helmut returned to Jordan in 1996 as a fellow teaching in the Music National Conservatory where he remained till 2003. He first came to Cairo when he was in his early 40s, now he was in his 70s, his kids grown up, and his wife Beta attending the garden and on frequent trips to Switzerland which is just around the corner from where they lived. But he was still a “musical fighter”, humming to himself a piece by Mozart or Bach as he went down the corridor.

At the Conservatory, he established an exchange program where German pupils came to Jordan to play music followed by Jordanian pupils going to Germany to play classical music with Arab themes. He called this a “musical culture of dialogue”; the German pupils would also learn different Arabic pieces and even sing them.

Helmut, now in his early 80s, and who brought the last German music group to play in Amman in 2010, is a strong believer in a culture of dialogue between east and west as a means to bringing people closer together.

His house is a testimony to that.

This artical is reprinted from my account on Hubpages

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Nakba Art

Art of the Nakba

My painting called”Nakba of Palestine “on May 14 1948 the land of Palestine was stolen by evil wicked power after that the Palestinian disperse all over the world.

Please Share it.

Artist Said Elatab

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