Ziad Al Rahbani: Musical Icon

Ziad Al Rahbani, dubbed as the soul of Lebanon dies at the age of 69.

Sondoss Al Asaad wrote:

He was a revolutionary artist who combined musical and theatrical genius, boldly addressing themes of identity, politics, and resistance.  His first literary work was published at the age of 12 in the late 1970s. 

Jordanian Cartoonist Nasser Al Jafari sketched out this cartoon in the honor of the late artist.

“This is what musician , researcher Louis Brehony wrote about him in the Palestine Chronicle: It is with shock at the earliness of his departure Lebanon bids farewell to Ziad al-Rahbani, a pillar of radical musicianship, at the age of 69. A committed communist who aligned himself with the Palestinian cause, Ziad left his indelible musical fingerprints on a wide region. An essential influence to generations of listeners, musicians and activists, Ziad ruffled the feathers of the wealthy, embarrassed conservatives and irritated liberals. Son of Lebanese icons Fairuz and Assi Rahbani, his musical tenacity and critique of a system in crisis demanded that others sing for its downfall.

Born into relative privilege among Maronite Christians and well-known musicians, Ziad understandably trod a creative path from an early age. His composer father Assi and uncle Mansour were the famous Rahbani brothers, writing epochal works for his mother Fairuz, to this day Lebanon’s most renowned vocalist. Ziad grew up sitting in on rehearsals and met huge figures in Arab music, including Egyptian composer Mohammed Abdel Wahab and Palestinian Sabri Sherif, who produced Fairuz’s albums dedicated to Palestine. Ziad eventually inherited the Rahbani mantle and, from the 1980s, became Fairuz’s main songwriter.

As a teenager, Ziad joined Rahbani brothers’ productions and quietly applied his skills as a composer and keyboardist. Though his approach towards his parents’ legacy was not the scorched earth policy some describe, Ziad began to forge his own path. Attracted to leftist politics at a time when the Lebanese Communist Party (LCP) allied itself to Palestinian resistance, Ziad’s empathy with the poor and downtrodden quickly expressed itself through music. He found his raison d’être in musical theatre, and works like Film Amriki Tawil (Long American Film, 1980) and Shi Fashil (Failure, 1983) broke social taboos, sharply attacking class discrimination and spotlighting characters from the working class…’

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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Beirut Weeps For a Poet

Lebanon mourns Khatoun Salma, a Lebanese national poet who was killed along with her husband in an Israeli airstrike that targeted their home in the Tallet al-Khayat neighborhood of Beirut Wednesday, 8 April.

Rasha al-Amir, publisher of Dar al-Jadeed, announced that the bodies of Khatoun and her husband were recovered from the rubble, Thursday morning.

Lebanese journalist Maha Salma also mourned her sister Khatoun on her Instagram account, writing: “My dear sister is in God’s care. May God grant me patience in the pain of her loss and the burning of my heart and soul.”

Poet and playwright Yahya Jaber wrote a tribute to Khatoun on Facebook, saying: “Yesterday, the Israeli airstrike cut down a poet with its sharp scissors, a poet of delicate Arabic.” Under the rubble, the conjunction “waw,” the plural “waw,” the feminine plural “nun,” the feminine suffix “ta,” the definite article “al-“: a massacre of language at the hands of language. Jaber attached a picture of the building where Khatoun lived to his post, saying:

“Here is the Khayat Hill building, and here on one of these balconies, we used to stay up late with Khatoun and her husband, Muhammad Karsht, in the late 198s, spinning yarns of laughter and sewing memories. We would recite poetry and remember our city, Tyre, and love Beirut, the capital.”

Lebanese poet Majida Dagher wrote on her Facebook page in mourning for Khatoun: “Under the rubble of her house in Khayat Hill, they found a poet lying among her shattered rhymes. The death of a poet in an airstrike on Beirut makes you feel that war is very, very close. The sound of bones breaking has become louder, and the smell of blood deeper.

Salma fell from the heights of poetry before she could bid farewell to ‘the last inhabitant of the moon.'” She thought Beirut was her tent, Beirut the roof of her poem, where she would hide, “embracing a woman waiting” for the dust to settle. But the dust became the tent of a new Beirut, a Beirut weeping, broken, martyred.

Salma, who studied Arabic literature at the American University of Beirut, published two collections of poetry, “I Embraced a Woman Waiting” in 2009 and “The Last Inhabitants of the Moon” in 2012, both with the Lebanese publishing house Dar Al-Jadeed. She first gained recognition in the 1970s, during her secondary school years, when she won a poetry prize. Later, at the beginning of this century, she became known in cultural circles for her relatively small but distinguished poetic output and her academic pursuits, which included studies in Sufism and Sufi mystics.

She combined profound knowledge with poetic sensitivity. She left her mark on the Lebanese cultural scene with a unique poetic voice, manifested in her literary works that carried the pain of humanity, exile, and memory. With her tragic passing, Lebanon loses a literary and human figure who wrote of the wound in a language that resembled nothing but truth.

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Al Bahri: The Man Who Set Palestinian Theater

He is a playwright and author of 12 plays, nearly 20 novels, and numerous translations. Jamil Habib Afara (al-Bahri) was known as the “Father of Theater.” He was born in 1895 in Haifa and his family name dates back to the mid-18th century, as his ancestor owned a merchant fleet that sailed the Mediterranean between Haifa, Acre, and Tripoli. This is where his family name originated.

He showed early interest in literature and writing. He and his brother, Hanna, were keen to revitalize the literary and intellectual scene in Haifa, establishing the National Library there in 1922. He first published the “Zahrat al-Jamil” (The Beautiful Flower) and later “al-Zahra” (The Flower) which was initially a weekly publication that later became a bi-weekly and continued publication for about nine months after his death in 1931. His last piece was

a journalistic investigation into the execution of the three martyrs: Muhammad Jamjoum, Fuad Hijazi, and Ata al-Zeer, in the city of Acre in 1930. He dedicated his time and his newspaper that day to the souls of these martyrs, leading with: “The terrible hour in Haifa and all of Palestine: Let us commemorate those who gave their lives for the homeland.” A large funeral was held for him, and poems and eulogies were recited and published in the Palestinian press, such as the “Al-Karmel” and “Falastin,” newspapers.

The Department of Culture of the Palestine Liberation Organization posthumously awarded him the Jerusalem Medal for Culture and Arts in 1990, and the Palestinian Ministry of Culture reprinted his first book, “The History of Haifa,” in 2022.

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