Film: A Gaza That No Longer Exists

By Kazim Alam

In the summer of 2023, the London-based Palestinian filmmaker Yousef Alhelou travelled to Gaza with a simple mission to capture the vibrant pulse of a place that has long been off-limits to the world.

What he did not know was that his footage would soon become an unintentional obituary. 

The Phoenix of Gaza, a 48-minute documentary, was filmed just months before Israel launched what Alhelou now calls a “genocidal war” on the strip. 

Premiered in London in February 2025, the documentary stands as a hauntingly beautiful archive of a Gaza that no longer exists.

Over a period of two years, Israel dropped more than 85,000 tonnes of bombs on Gaza, reducing the enclave to dust. Alhelou’s film now serves as an archive, a memory, and a monument.

Through his lens, we witness a Gaza that was already a “Riviera of the Middle East,” a place of joy and defiance that Israel turned into a mass graveyard.

“We refused to vanish. We refused to give up,” he says. 

He shows us an authentic view of the place now touted as the “Riviera of the Middle East” in AI-generated videos. 

Gaza before annihilation

Shot in July and August 2023, The Phoenix of Gaza is breathtakingly beautiful.

The film opens in London. We see him in his London apartment, packing his bags, his voice brimming with anticipation as he prepares to return to Gaza after a decade away.

He calls his mother, who showers him with prayers for safe travels, while his 10-year-old son makes a quick appearance. 

“I wanted to show the world the life of Gazans, the daily life, the hustle and bustle,” he tells TRT World.

Little did Alhelou know that this footage, shot in July and August of 2023, would become a historical artefact, the last unvarnished portrait of Gaza before its annihilation at the hands of Israeli forces.

Where once there were vibrant markets, there is now rubble. Where children played, there are now craters. Photo: TRT World / Yousef Alhelou

Where once there were vibrant markets, there is now rubble. Where children played, there are now craters. Photo: TRT World / Yousef Alhelou

Through sweeping drone shots, we see a city that defies its 20-year siege.

Clean roads hum with smooth traffic, high-rise buildings adorned with solar panels, born of necessity after Israel bombed Gaza’s only power plant in 2006.

Greenbelts and trees dot the urban sprawl, while public parks appear full of families lounging on picnic chairs, children playing, and people strolling along the pristine Mediterranean beach.

“We managed to beautify and decorate our prison of Gaza,” Alhelou says, emphasising the resilience of a people who transformed a “high-density concentration camp” into a vibrant urban centre.

The beach is crowded, the water clear. Palestinian flags flutter as water-skiers speed by. The imagery defies the narrative of Gaza as a place of only suffering.

His approach is unpretentious: he walks through markets, parks, streets. He chats with shopkeepers, children, and the elderly.

At a public square, a phoenix statue, which is the emblem of Gaza’s municipality, stands as a symbol of rebirth, a motif that resonates throughout the documentary.

He takes us to the ancient gold market, its shopfronts full of jewellery, and the 1,400-year-old Great Omari Mosque, a UNESCO-protected site, later reduced to rubble by Israeli bombs.

On Omar al-Mukhtar Street, named after the famed Libyan anti-colonial warrior, restaurants and shops appear full of customers, scenes now unimaginable as the street currently lies in ruins.

In the Shujayyah neighbourhood of Alhelou’s childhood, children roam the same streets that he did in the 1980s, unaware that many would soon perish in Israel’s indiscriminate bombings.

He films the 700-year-old Pasha Palace, where Napoleon once slept for three nights, and the Church of Saint Porphyrius, built in 1160, both destroyed by Israeli bombs.

He explores beachside cafes and Gaza’s culinary scene by hopping to the roadside food stands. He visits the Ottoman Hamam, a space for relaxation, near the historic Jewish neighbourhood, which predated the Israeli occupation of Palestine.

The documentary highlights the educational achievements in Gaza, a place that has one of the world’s highest literacy rates on a per capita basis.

Scenes of cultural events – music, art, and a wedding ceremony – capture the “heartbeat of Gaza”, while a student appreciation ceremony celebrates young graduates with song and dance.

Even Gaza’s cemeteries tell a story. Alhelou lingers in the English cemetery, where 3,500 graves of World War I soldiers are meticulously kept, a gesture of dignity, in sharp contrast to the thousands of Palestinians now buried beneath collapsed buildings.

Elegy for family under rubble

He left Gaza in late August 2023. The war’s toll is personal.

“This genocidal war impacted me in the sense that I cannot believe that my city, the place of my birth, has been destroyed and that it’s beyond recognition,” he says.

Alhelou’s eldest sister, Asma, and her seven children were killed in Israeli strikes and are still buried under the rubble. His elderly parents and siblings remain in Gaza, fighting a daily battle for survival amid Israel-imposed starvation. 

The documentary, initially intended for his Arabic-speaking followers, has taken the shape of an elegy meant “to keep the memory and the legacy of Gaza for generations to come.”

The contrast between Gaza then and now is gut-wrenching. Where once there were vibrant markets, there is now rubble. Where children played, there are now craters. 

The Riviera of Gaza, which Alhelou compares to Singapore and Dubai, is gone. It has been replaced by a landscape where “there is no infrastructure, no electricity, no water, no food, no places to visit”.

The “man-made starvation” orchestrated by Israel is particularly harrowing. “I cannot believe that we are facing starvation in the 21st century,” Alhelou says.

TRTWorld

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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Wounders of Arabic

EDITOR’S NOTE: I wrote this article “On Arabic” in 2008 and posted on hackwriters.com. I am reprinting it here for relvance and archival use

Compared with English, Arabic is an easy read if it is written well. When you look at English, the perception of the language, written and oral, took centuries of development from archaic structures associated with the old English of Geoffrey Chaucer, passing to Shakespeare and Christopher Marlow to George Elliot, Charles Dickens, Virginia Wolfe as well as many others and not mentioning the new contemporaries.

With Arabic it’s different. Although there may have been stages of development through out the centuries, it seems the clarity of the Arabic language was a one-time affair, represented in the Holy Koran brought down from the skies through Angel Gabriel to Prophet Mohammad in the 7th century and passed on to the Muslim community.

The Koran represented a basis for the Arabic language as it is spoken and written today. Unlike English, back in the 7th century Arabic was written in a clear, transparent, effective tone that involved action, and designed from every member of the social community, rich and poor, educated and illiterate, a source of knowledge and speech and continued to be so as it passed down through the centuries.

With English it was different. First if all, the language itself was derivative from other linguistic structures like Germanic, Latin, and French, many of which have said this is what made it stronger; Secondly English was helped by the issue of economic development as new inventions, processes and way of doing things required the development of new words, terminologies and syntax which evolved from the 17th century onwards.

Today some have been known to criticize Arabic for failing to be innovative, or developing to meet the needs of modernization and even globalization, with its inability to produce new words and terminologies to pace with the development going on in the region and the world.

However, one of the points that has to be clarified is that as these inventions came from the western countries and as communicated in English, the language proved more flexible in coming up with new words and terms, as opposed to the Arabic language that adopted a reactive approach with linguists from the region acting haphazardly in their word formations rather than following a methodical pattern.

In the process as well, we tend to get used to hearing the words and terminologies in say the English language and when we hear their equivalents in other languages such as Arabic, as there is a sense of word creation even in translations, it becomes odd and foreign simply because our ears have got used to the English pronunciation.


But this is a different view related to globalization, how much are we as Arabs integrated into the international system, how much we take from it, what do we take, what do we buy, our consumer habits and trends and indeed, how much do we produce and contribute to world society.

While this in turn becomes related to our language, its use, how much we mix words, English-Arabic, Arabic-English, the fact of the matter is that the language itself, spoken by about 300 million people in 22 Arab countries and about a 1.5 billion in Muslim countries who read the Koran in Arabic, says a great deal.

Arabic is a cogent force, its simple, attractive and gets the point across in as a logical manner as possible. It’s easy to read and to understand. It’s structure is less complex as say French and German which are grammatically more demanding than the English language.

However, just like any other language, writing in Arabic has to be learnt, it’s a professional skill; that’s why today there is an endless beating about the bush were getting the idea across is deliberately pumped and inflated and there is much hankering because of political considerations relating to ruler, government, state, security apparatuses and so on.


These considerations are over-riding and smack directly with the professionalism of writing and the way the writing of Arabic should be as passed on and continued through out the holy Koran which is sometimes used as a source of criticism by western writers and pedagogics who claim the Arabic language lacks the basis for producing new words as do the other languages.

But when Arabic is spoken and written as part of the social community there is a sense of modernist continuum as expressed in its words, expressions, figures of speech and syntax found in the structure of the language.


Nowhere is this more emphasized than it is in the Koran. Written in the 7th century, the Koran is timeless in its spiritual message, a modernist document in its approach with words, phrases and expressions that apply as much today as when it was handed down, memorized and collectively written.

Words and expression apply as much then as they apply today. The word “car” for instance is used in one of its Suras (chapters) to signify a caravan route whereas its use today implies a vehicle, and striking the reader as if you are reading a modern document about social relations, economy, authority, and kinship.

The style of language appears to be modernist as well and not with case as it is say with the Bible that is written in old English, not as old as the language used by Chaucer, but is hard to fathom just the same.

That has proved problematic for the Koran. When translated into English translators often use the kind of language that is employed by the Bible, which does not reflect the actual modernist style of the Koran for the lucidness of the holy document becomes lost and replaced by an archaic and medieval structure once found in the language, although English has moved on tremendously.

© Marwan Asmar May 2008

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Dad Digs For Family After Israel Bombs Their House

Hammad’s house in the Sabra neighborhood was destroyed Dec. 6, 2023, during heavy Israeli bombardment. He said a powerful bomb weighing around 2,000 pounds (907 kilograms) struck the building while the family was inside.

On a mound of sand and shattered concrete that once formed the foundation of his six-story home in Gaza City, Mahmoud Hammad digs methodically through the debris, searching for the remains of his wife and children killed beneath the rubble.

Armed with little more than a small shovel and a metal sieve, the 45-year-old father filters sand by hand, hoping to find bone fragments that would allow him to lay his family to rest.

“In the absence of machinery, this is what we have,” he said, holding up the sieve.

Home reduced to dust

Hammad’s house in the Sabra neighborhood was destroyed Dec. 6, 2023, during heavy Israeli bombardment. He said a powerful bomb weighing around 2,000 pounds (907 kilograms) struck the building while the family was inside.

He lost his wife, six children, his brother, his brother’s wife and their four children.

Hammad survived but sustained severe injuries, including multiple rib fractures and injuries to his shoulder and pelvis. After months of partial recovery, he returned to the site to begin searching for his family’s remains.

“I wanted to bury them properly,” he said.

With the help of neighbors, he managed to retrieve and bury his brother and his brother’s family. But the bodies of his wife and children remain under layers of hardened debris.

“I collect what I can, piece by piece,” he said.

Missing under the rubble

Nearly 9,500 Palestinians are missing beneath destroyed buildings across the territory, according to official estimates in Gaza.

Officials said recovery efforts are severely hindered by the lack of heavy equipment needed to clear the debris. Despite a ceasefire that took effect in October, authorities said the entry of large-scale machinery remains restricted, limiting the ability of rescue teams to reach buried bodies.

Civil defense crews have repeatedly warned that the longer debris remains uncleared, the harder it becomes to recover remains.

Private grief amid mass destruction

Hammad said his wife was pregnant and close to delivery when the strike occurred, as medical services across Gaza were collapsing under the strain of the war.

“She and our unborn child died together,” he said.

Since December, Gaza has been battered by repeated storms that further displaced families living in makeshift shelters after their homes were destroyed.

For Hammad, however, the focus remains on the ruins before him.

Each day, he returns to sift through dust and fragments of concrete, driven by what he describes as a simple duty.

“They deserve to be buried with dignity,” he said.

At least 591 Palestinians have been killed and more than 1,598 injured in Israeli attacks since a ceasefire deal took effect Oct. 10, according to Gaza’s Health Ministry.

​​​​​​​‏Israel’s war on Gaza, which began Oct. 8, 2023, and lasted two years, has killed more than 72,000 Palestinians and wounded over 171,000, most of them women and children, and destroyed about 90% of Gaza’s civilian infrastructure.

By Tarek Chouiref in Istanbul for Anadolu

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