A Year on: Remembering Late Poet of Gaza

If I Must Die, Let it Bring Hope’ – Remembering Professor Refaat Alareer

Refaat Alareer’s daughter was killed by Israel in Gaza. (Design: Palestine Chronicle)

By Nurah Tape – The Palestine Chronicle  

“Sometimes a homeland becomes a tale. We love the story because it is about our homeland and we love our homeland even more because of the story.”

On Day 3 of Israel’s genocidal assault on the Gaza Strip, intellectual and writer Professor Refaat Alareer said in a live interview from the besieged enclave “I’m an academic. Probably the toughest thing I have at home is an Expo marker. But if the Israelis invade … I’m going to use that marker to throw it at the Israeli soldiers, even if that is the last thing that I would be able to do.”

Nearly three months later, on 6 December, 2023, Alareer was killed in an Israeli airstrike on his sister’s home in northern Gaza. The activist’s sister, Asmaa, along with three of her children, and his brother Salah, with his son Mohammed, were among those also killed in the attack.

As a professor, poet and writer, Alareer’s pen was his weapon. And it continues to defend and tell the story of his people.

Iconic Poem

His poem, If I Must Die, written in 2011 and shared on X a month before his death, has become an iconic reminder of the Palestinian struggle for liberation from Israeli occupation and oppression.

“If I must die, you must live, to tell my story, to sell my things, to buy a piece of cloth and some strings…If I must die, let it bring hope, let it be a tale” the actor Brian Cox delivered a passionate rendition of the poem published by the Palestine Festival of Literature.

On December 4, two days before his death, Alareer wrote in a post on X: “I wish I were a freedom fighter so I die fighting back those invading Israeli genocidal maniacs invading my neighborhood and city.”

“The building is shaking,” he added. “The debris and shrapnel are hitting the walls and flying in the streets. Israel has not stopped bombing, shelling, and shooting. Pray for us. Pray for Gaza.”

Over a year later, his words echo as the bombing, shelling, and shooting continue unabated.

To date, a total of 44,612 Palestinians have been killed, and 105,834 wounded, according to Gaza’s Ministry of Health.

We Are Not Numbers

As the beloved professor of Literature and Creative Writing at the Islamic University of Gaza and co-founder of the We Are Not Numbers project, Alareer inspired a myriad of young people in the enclave to own their narrative and tell the story of Palestine based on their experiences.

In a TED talk delivered in 2015, Alareer impressed upon preserving oral history and how “stories make us.”

“I realize I am the person I am today because of the stories” told to him by his mother and grandmother, he said, “because my mum was teaching me values, etiquette, to love people, to love my life, to love my country at the same time.”

“Stories are also important in our lives as Palestinians, as people under occupation, as native peoples on this land,  not only because they make us, they shape us,  they make us the people we are but also because they connect us with our past, they connect us with our present, and they prepare us to the future,” shared Alareer.

He said his grandmother “told us stories (about) when she was a kid, when she was a newly married wife who would spend months plowing her land, harvesting the crops, the land that now we don’t own because it was occupied.

“Although the land is physically occupied, it still lives in our memories, still lives in our hearts, because we can easily visualize this.”

‘Tell Us Stories’

Concluding his talk, Alareer encouraged the audience to “beg” their parents and grandparents to “tell us stories” and share them with “our kids.”

“Because if we don’t do that, if the story stops there, we’re betraying ourselves, we’re betraying the story, we’re betraying our parents and grandparents, and we’re betraying our homeland,” he emphasized.

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Born on September 23, 1979, in Shejaiya in Gaza City, Alareer said in a media interview that “every move I took and every decision I made were influenced (usually negatively) by the Israeli occupation”.

“As a kid, I grew up throwing stones at Israeli military Jeeps, flying kites, and reading,” he also said.

‘Gaza Writes Back’

Alareer edited several books, including ‘Gaza Writes Back’ and ‘Gaza Unsilenced’, which according to Palestine Chronicle editor, Ramzy Baroud, “allowed him to take the message of other Palestinian intellectuals in Gaza to the rest of the world.”

“Sometimes a homeland becomes a tale. We love the story because it is about our homeland and we love our homeland even more because of the story,” he wrote in ‘Gaza Writes Back’.

The Geneva-based group, Euro-Med Human Rights Monitor, said Alareer’s killing was “apparently deliberate” and called for an investigation into his death.

“The apartment where Refaat and his family were sheltering was surgically bombed out of the entire building where it’s located, according to corroborated eyewitness and family accounts,” the organization said in a statement.

This came after weeks of death threats that Refaat received “online and by phone from Israeli accounts.”

His Legacy

Husband to Nusayba, Alareer was also a father of six, who had their home bombed previously by Israel in 2014, killing over 30 of his and his wife’s family members, according to Euro-Med Monitor.

Not long after her father’s death, Alareer’s eldest daughter, Shaymaa, gave birth to her first child.

https://www.palestinechronicle.com/do-you-know-o-dad-after-murdering-her-father-daughter-of-refaat-alareer-killed-in-gaza/embed/#?secret=rRVGG1V8cH#?secret=tKEZQfH3l5

She wrote a note to her deceased father, as conveyed by the Resistance News Network through their Telegram channel:

“I have wonderful news for you, and I wished I could convey it to you face-to-face, handing your first grandson to you… This is your grandson Abdul Rahman, whom I have always imagined you holding. But I never thought that I might lose you too soon, even before you could meet him.”

In April, Shaymaa was killed in an airstrike on her family’s apartment in Gaza City along with her husband and infant son.

‘Haunted by Horrors’

As with many Palestinians who fought and died fighting for a liberated Palestine in which ever manner they could, Alareer’s contribution to that struggle lives on.

In honor of his memory, and to mark the first anniversary of Alareer’s killing, Shahd Ahmad Alnaami, a contributor to We Are Not Numbers writes:

So many of us still
hold our phones, read
your poems — not
losing hope, but

we’re tired of sleeping
in fear, tired
of being displaced,
living in tents,

haunted by horrors
that linger in our minds.
A missile pierced the silence,
burning all the tents —

including you. I have
not forgotten. Nights
become nightmares, children
cry from the cold,

their laughter, once bright,
now a distant echo.
We yearn to return,
free from fear. When

will these bloody nights end?
When will this tragedy stop?
When will our normal lives return,
and our distant dreams come true?

We keep asking, “Will this pass?”
And remember how you
used to say, “It shall pass…
I keep hoping it shall pass…”

Still, we wait for the day
peace will dawn,
and a new chapter
open its bleary eyes.

(The Palestine Chronicle)

– Nurah Tape is a South Africa-based journalist. She is an editor with The Palestine Chronicle.

CrossFireArabia

CrossFireArabia

Dr. Marwan Asmar holds a PhD from Leeds University and is a freelance writer specializing on the Middle East. He has worked as a journalist since the early 1990s in Jordan and the Gulf countries, and been widely published, including at Albawaba, Gulf News, Al Ghad, World Press Review and others.

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Beirut Weeps For a Poet

Lebanon mourns Khatoun Salma, a Lebanese national poet who was killed along with her husband in an Israeli airstrike that targeted their home in the Tallet al-Khayat neighborhood of Beirut Wednesday, 8 April.

Rasha al-Amir, publisher of Dar al-Jadeed, announced that the bodies of Khatoun and her husband were recovered from the rubble, Thursday morning.

Lebanese journalist Maha Salma also mourned her sister Khatoun on her Instagram account, writing: “My dear sister is in God’s care. May God grant me patience in the pain of her loss and the burning of my heart and soul.”

Poet and playwright Yahya Jaber wrote a tribute to Khatoun on Facebook, saying: “Yesterday, the Israeli airstrike cut down a poet with its sharp scissors, a poet of delicate Arabic.” Under the rubble, the conjunction “waw,” the plural “waw,” the feminine plural “nun,” the feminine suffix “ta,” the definite article “al-“: a massacre of language at the hands of language. Jaber attached a picture of the building where Khatoun lived to his post, saying:

“Here is the Khayat Hill building, and here on one of these balconies, we used to stay up late with Khatoun and her husband, Muhammad Karsht, in the late 198s, spinning yarns of laughter and sewing memories. We would recite poetry and remember our city, Tyre, and love Beirut, the capital.”

Lebanese poet Majida Dagher wrote on her Facebook page in mourning for Khatoun: “Under the rubble of her house in Khayat Hill, they found a poet lying among her shattered rhymes. The death of a poet in an airstrike on Beirut makes you feel that war is very, very close. The sound of bones breaking has become louder, and the smell of blood deeper.

Salma fell from the heights of poetry before she could bid farewell to ‘the last inhabitant of the moon.'” She thought Beirut was her tent, Beirut the roof of her poem, where she would hide, “embracing a woman waiting” for the dust to settle. But the dust became the tent of a new Beirut, a Beirut weeping, broken, martyred.

Salma, who studied Arabic literature at the American University of Beirut, published two collections of poetry, “I Embraced a Woman Waiting” in 2009 and “The Last Inhabitants of the Moon” in 2012, both with the Lebanese publishing house Dar Al-Jadeed. She first gained recognition in the 1970s, during her secondary school years, when she won a poetry prize. Later, at the beginning of this century, she became known in cultural circles for her relatively small but distinguished poetic output and her academic pursuits, which included studies in Sufism and Sufi mystics.

She combined profound knowledge with poetic sensitivity. She left her mark on the Lebanese cultural scene with a unique poetic voice, manifested in her literary works that carried the pain of humanity, exile, and memory. With her tragic passing, Lebanon loses a literary and human figure who wrote of the wound in a language that resembled nothing but truth.

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Al Bahri: The Man Who Set Palestinian Theater

He is a playwright and author of 12 plays, nearly 20 novels, and numerous translations. Jamil Habib Afara (al-Bahri) was known as the “Father of Theater.” He was born in 1895 in Haifa and his family name dates back to the mid-18th century, as his ancestor owned a merchant fleet that sailed the Mediterranean between Haifa, Acre, and Tripoli. This is where his family name originated.

He showed early interest in literature and writing. He and his brother, Hanna, were keen to revitalize the literary and intellectual scene in Haifa, establishing the National Library there in 1922. He first published the “Zahrat al-Jamil” (The Beautiful Flower) and later “al-Zahra” (The Flower) which was initially a weekly publication that later became a bi-weekly and continued publication for about nine months after his death in 1931. His last piece was

a journalistic investigation into the execution of the three martyrs: Muhammad Jamjoum, Fuad Hijazi, and Ata al-Zeer, in the city of Acre in 1930. He dedicated his time and his newspaper that day to the souls of these martyrs, leading with: “The terrible hour in Haifa and all of Palestine: Let us commemorate those who gave their lives for the homeland.” A large funeral was held for him, and poems and eulogies were recited and published in the Palestinian press, such as the “Al-Karmel” and “Falastin,” newspapers.

The Department of Culture of the Palestine Liberation Organization posthumously awarded him the Jerusalem Medal for Culture and Arts in 1990, and the Palestinian Ministry of Culture reprinted his first book, “The History of Haifa,” in 2022.

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