Aleppo Returns to Normality With a Big Concert
Thousands gathered Saturday in Aleppo to attend a concert organized by the London-based humanitarian organization, Syria Relief, as life begins to normalize in Syria under opposition-controlled areas with residents continuing to celebrate newfound freedoms.
The four-hour concert featured renowned Syrian artist Yahya Hawwa with attendees enjoying an evening filled with music, revolutionary and resistance-themed songs and anthems.
Syrian flags waved across the venue as the concert concluded peacefully, offering vibrant and colorful scenes according to Anadolu.
Fall of Syria’s 61-year Baath regime
Clashes between anti-regime armed groups and forces loyal to Bashar al-Assad intensified Nov. 27, leading to significant shifts in the country.
Between Nov. 30 and Dec. 7, opposition groups gained control of major provinces, including Aleppo, Idlib, Hama and Homs.
By Dec. 7, as opposition forces entered the national capital of Damascus, widespread public support helped the groups dismantle regime control.
The Baath Party’s 61-year rule officially ended Dec. 8 when Assad fled the capital to Russia, where he and his family sought asylum.
The Syrian National Army, meanwhile, launched the Dawn of Freedom operation in December, successfully liberating the town of Tel Rifaat from the PKK/YPG terror organization on the first day.
The operation also secured Manbij, clearing the western Euphrates region of PKK/YPG presence.
Following the regime’s collapse, a transitional government was formed, with Mohammed al-Bashir appointed interim prime minister until March 2025.
Türkiye reopened its embassy in Damascus on Dec. 14, and several Western countries have since sent delegations to the Syrian capital.
Ireland May Turn Closed Israeli Embassy Into a Palestine Museum
Ireland is considering transforming the former Israeli Embassy in Dublin into a Palestinian museum.
“Faisel Saleh, a Palestinian-American businessman and founder of the Palestine Museum in the United States, expressed interest in transforming the former Israeli embassy in Dublin into a Palestinian museum, calling it “a political statement.”
The idea of the Palestinian museum is trending on social media. The move comes within days after Israel decided to close its embassy in Ireland after what it called rising anti-semitism in the Irish country.
“The decision to close Israel’s embassy in Dublin was made in light of the extreme anti-Israel policies of the Irish government,” Israeli Foreign Minister Gideon Saar said in a statement last week.
The tension between Israel and Ireland came to the fore when the latter on 28 May, 2024 made a decision to formally recognize the state of Palestine.
Israel: A Cultural Destroyer in Gaza
It is unthinkable for “culture” to be destroyed by wars, yet in Gaza it is. Culture, its monuments and symbols have long become military targets crushed in a sadistic and criminal context where the aggressor targets the human and civilizational components of the subjugated party. This is what the Israeli occupation wants from its war on the Gaza Strip, brutal images committed for more than 14 months.
The Rashad Shawa Cultural Center (RSCC) is evidence of the Israeli “scorched-earth” policy on the Gaza Strip. The center was transformed from a cultural symbol receiving hundreds of people daily as part of its intellectual, cultural, and artistic activities, exhibitions, and communicating with the world in seminars addressing all local and global issues, into a destroyed, desolate place now for displaced people who seek shelter from the Israeli Nazi Holocaust the occupation is waging across the Strip.
Following 7 October, 2023, the Israeli aggression began targeting all cities and regions of the Strip, especially the northern governorates, and spreading death everywhere with the residents of Gaza finding themselves forced to move from one place to another, seeking nothing more than escape from the Israeli cauldrons of death.
Weeks passed after the start of that aggression while temporary truces only lasted for a few days, allowing the people of the Al-Rimal neighborhood in Gaza City to return to their wrecked homes, only to be shocked by the the gutted Center that had become a thing of the past, after the Israeli army and occupation bombed it.
The residents had long been accustomed to seeing this great cultural edifice. Inside were chants, competitions, and humming of readers in the library that held more than 100,000 books in the sciences, knowledge, and arts, and a source of pride for the residents of Gaza becoming a destination for visitors from all over the world; a beaconed intellectual window that expresses Palestinian civilization with its diverse spectrums and openness to the world, in addition to what it represented of dear memories, now turned upside down by the brutality of the occupation into a pile of dirt.
The Gaza Municipality condemned the Israeli destruction of the Center, as part of its barbaric aggression on the Gaza Strip, killing thousands of civilians, destroying the city’s main landmarks, and erasing the cultural memory of the Palestinian people according to the Palestine Information Center.
The municipality called on UNESCO to intervene and condemn the occupation’s crimes against cultural centers, libraries, and historical and archaeological landmarks of the city.
The RSCC was the first of its kind to be built in Palestine, and named after Rashad Shawa, who served as the mayor of Gaza between 1972 and 1975, and built this center to become a Palestinian cultural beacon.
The architectural and engineering plans for establishing and designing the center began in 1978 and it first opened its doors in 1985 and its printing press began the following year with the center slowly expanding its activities reaching a peak in the 1990s and especially after 1994 when the Palestinian Authority took its seat there.
The RSCC center had a distinctive design that give it a modernistic outlook spread over two floors with a spiral stairway and an impressive triangular roof. In 1992, it was nominated for the Aga Khan Award for Creativity in Architecture. Before its destruction, those in charge took care of it and restored it periodically to preserve its distinctive architectural appearance.
The building witnessed important events in the history of the Palestinian cause, including: Hosting sessions of the National and Legislative Councils, and visits by heads of state, including former US President Bill Clinton in 1998 met by the late Palestinian President Yasser Arafat, and many world figures.
Cultural isolation
Before its destruction, the center worked to end the cultural and civilizational isolation the Palestinians suffered from as a result of the Israeli occupation, and its attempt to erase the Palestinian identity and steal its heritage.
Even before its destruction, the center faced global isolation because of the continued Israeli siege that was imposed on Gaza since 2007 and the worsening economic situation that was created and which was reflected in the social and cultural aspects of life in the Strip.
As with all aspects of life in Gaza, nothing has remained the same, the buildings no longer stand, the patterned landmarks destroyed, families scattered while institutions reduced to brick and mortar if not plotted out.
Culture usually plays its role in awareness and enlightenment but here and over the past months, it has become a witness to the tragedies of massacres, separation of family and friends, and the endless journeys of people forced to move with the center reduced to housing refugees who place plastic bags on its walls to protect themselves, and light fires to try and keep warm from the harsh winter.
In its ongoing aggression on the Gaza Strip, the Israeli occupation targeted the cultural and scientific centers of Gaza, its universities, and all outlets expressing the identity, civilization and heritage of the Palestinian people to obliterate their cultural landmarks so that the barbarism of occupation is entrenched in their public memory and the identity of the right of the owners to the land and holy places erased.
Israel Will Not Succeed
The RSCC was not the only architectural and cultural victim of the Israeli aggression as the destruction machine flattened universities and other cultural centers, including Al-Saqa Palace in Gaza City’s Shuja’iyya built at the end of the Ottoman period during the reign of Sultan Muhammad IV.
In November 2023, Abaher Al-Saqa, professor in the Department of Social and Behavioral Sciences at Birzeit University, wrote: “Beit Al-Saqa, or as people call it, Qasr Al-Saqa, was built by my late grandfather’s cousin, Ahmad Al-Saqa, one of the city’s major merchants. Its walls are studded with sandstone and the ceilings are Roman marble. It is 350 years old and was designated by the family to be turned into a cultural center after it was restored by the Islamic University. It was bombed as part of the brutal colonial bombing. The colonial authorities are exterminating the city’s urban and architectural history, in parallel with the genocide.”
Riwaq, the Palestinian Center for Popular Architecture, based in the West Bank city of Al-Bireh (which participated in the restoration of Beit Al-Saqa with the Iwan Center of the Islamic University of Gaza), noted in a recent post the house was completely bombed on 9 November, according to Aser Al-Saqa, a member of the family that owns the historic building in Shuja’iyya.
Our Land
“Here we remain, this is our land.” A mural on the ruins of a building, spotted in the Rimal neighborhood, west of Gaza City.
Sulaiman Ahmad posts: Hollywood actress Angelina Jolie accuses world leaders of complicity in crimes in Gaza.
On The World Top
Meet Nicole Smith-Ludvik, the woman who stood atop the tallest building in the world, Burj Khalifa (828m) for an Emirates Airlines ad
A Year on: Remembering Late Poet of Gaza
If I Must Die, Let it Bring Hope’ – Remembering Professor Refaat Alareer
By Nurah Tape – The Palestine Chronicle
“Sometimes a homeland becomes a tale. We love the story because it is about our homeland and we love our homeland even more because of the story.”
On Day 3 of Israel’s genocidal assault on the Gaza Strip, intellectual and writer Professor Refaat Alareer said in a live interview from the besieged enclave “I’m an academic. Probably the toughest thing I have at home is an Expo marker. But if the Israelis invade … I’m going to use that marker to throw it at the Israeli soldiers, even if that is the last thing that I would be able to do.”
Nearly three months later, on 6 December, 2023, Alareer was killed in an Israeli airstrike on his sister’s home in northern Gaza. The activist’s sister, Asmaa, along with three of her children, and his brother Salah, with his son Mohammed, were among those also killed in the attack.
As a professor, poet and writer, Alareer’s pen was his weapon. And it continues to defend and tell the story of his people.
Iconic Poem
His poem, If I Must Die, written in 2011 and shared on X a month before his death, has become an iconic reminder of the Palestinian struggle for liberation from Israeli occupation and oppression.
“If I must die, you must live, to tell my story, to sell my things, to buy a piece of cloth and some strings…If I must die, let it bring hope, let it be a tale” the actor Brian Cox delivered a passionate rendition of the poem published by the Palestine Festival of Literature.
On December 4, two days before his death, Alareer wrote in a post on X: “I wish I were a freedom fighter so I die fighting back those invading Israeli genocidal maniacs invading my neighborhood and city.”
“The building is shaking,” he added. “The debris and shrapnel are hitting the walls and flying in the streets. Israel has not stopped bombing, shelling, and shooting. Pray for us. Pray for Gaza.”
Over a year later, his words echo as the bombing, shelling, and shooting continue unabated.
To date, a total of 44,612 Palestinians have been killed, and 105,834 wounded, according to Gaza’s Ministry of Health.
We Are Not Numbers
As the beloved professor of Literature and Creative Writing at the Islamic University of Gaza and co-founder of the We Are Not Numbers project, Alareer inspired a myriad of young people in the enclave to own their narrative and tell the story of Palestine based on their experiences.
In a TED talk delivered in 2015, Alareer impressed upon preserving oral history and how “stories make us.”
“I realize I am the person I am today because of the stories” told to him by his mother and grandmother, he said, “because my mum was teaching me values, etiquette, to love people, to love my life, to love my country at the same time.”
“Stories are also important in our lives as Palestinians, as people under occupation, as native peoples on this land, not only because they make us, they shape us, they make us the people we are but also because they connect us with our past, they connect us with our present, and they prepare us to the future,” shared Alareer.
He said his grandmother “told us stories (about) when she was a kid, when she was a newly married wife who would spend months plowing her land, harvesting the crops, the land that now we don’t own because it was occupied.
“Although the land is physically occupied, it still lives in our memories, still lives in our hearts, because we can easily visualize this.”
‘Tell Us Stories’
Concluding his talk, Alareer encouraged the audience to “beg” their parents and grandparents to “tell us stories” and share them with “our kids.”
“Because if we don’t do that, if the story stops there, we’re betraying ourselves, we’re betraying the story, we’re betraying our parents and grandparents, and we’re betraying our homeland,” he emphasized.
Born on September 23, 1979, in Shejaiya in Gaza City, Alareer said in a media interview that “every move I took and every decision I made were influenced (usually negatively) by the Israeli occupation”.
“As a kid, I grew up throwing stones at Israeli military Jeeps, flying kites, and reading,” he also said.
‘Gaza Writes Back’
Alareer edited several books, including ‘Gaza Writes Back’ and ‘Gaza Unsilenced’, which according to Palestine Chronicle editor, Ramzy Baroud, “allowed him to take the message of other Palestinian intellectuals in Gaza to the rest of the world.”
“Sometimes a homeland becomes a tale. We love the story because it is about our homeland and we love our homeland even more because of the story,” he wrote in ‘Gaza Writes Back’.
The Geneva-based group, Euro-Med Human Rights Monitor, said Alareer’s killing was “apparently deliberate” and called for an investigation into his death.
“The apartment where Refaat and his family were sheltering was surgically bombed out of the entire building where it’s located, according to corroborated eyewitness and family accounts,” the organization said in a statement.
This came after weeks of death threats that Refaat received “online and by phone from Israeli accounts.”
His Legacy
Husband to Nusayba, Alareer was also a father of six, who had their home bombed previously by Israel in 2014, killing over 30 of his and his wife’s family members, according to Euro-Med Monitor.
Not long after her father’s death, Alareer’s eldest daughter, Shaymaa, gave birth to her first child.
She wrote a note to her deceased father, as conveyed by the Resistance News Network through their Telegram channel:
“I have wonderful news for you, and I wished I could convey it to you face-to-face, handing your first grandson to you… This is your grandson Abdul Rahman, whom I have always imagined you holding. But I never thought that I might lose you too soon, even before you could meet him.”
In April, Shaymaa was killed in an airstrike on her family’s apartment in Gaza City along with her husband and infant son.
‘Haunted by Horrors’
As with many Palestinians who fought and died fighting for a liberated Palestine in which ever manner they could, Alareer’s contribution to that struggle lives on.
In honor of his memory, and to mark the first anniversary of Alareer’s killing, Shahd Ahmad Alnaami, a contributor to We Are Not Numbers writes:
So many of us still
hold our phones, read
your poems — not
losing hope, but
we’re tired of sleeping
in fear, tired
of being displaced,
living in tents,
haunted by horrors
that linger in our minds.
A missile pierced the silence,
burning all the tents —
including you. I have
not forgotten. Nights
become nightmares, children
cry from the cold,
their laughter, once bright,
now a distant echo.
We yearn to return,
free from fear. When
will these bloody nights end?
When will this tragedy stop?
When will our normal lives return,
and our distant dreams come true?
We keep asking, “Will this pass?”
And remember how you
used to say, “It shall pass…
I keep hoping it shall pass…”
Still, we wait for the day
peace will dawn,
and a new chapter
open its bleary eyes.
(The Palestine Chronicle)
– Nurah Tape is a South Africa-based journalist. She is an editor with The Palestine Chronicle.
Richard Gere
Richard Gere: “The Israeli occupation is destroying everyone. There’s no defense of this occupation.”