The Pharaoh, Sphinx and The Museum

After years of anticipation, the Grand Egyptian Museum by the Pyramids opened on Saturday evening, marking the world’s largest archaeological complex dedicated to a single civilization.

The museum was opened in an official ceremony attended by President Abdel Fattah al-Sisi and delegations from 79 countries, including 39 led by kings, princes, and heads of state and government.

The launch featured musical performances in one of the museum’s courtyards, with the three pyramids visible in the background.

Performers appeared in distinctive pharaonic attire, resembling a grand procession according to Anadolu.

Egyptian Prime Minister Mostafa Madbouly described the museum as a “unique global edifice” and an “exceptional event in Egypt’s history.”

“This dream has lived in our imagination for years. This world-class monument is a gift from Egypt to humanity — a nation with more than 7,000 years of history,” he told a press conference before the opening.

Madbouly thanked everyone who contributed from the idea’s inception to the completion of the project, noting that most of the construction was carried out over the past seven years.

He explained that the concept dated back around 30 years, followed by preparatory work, design competitions, and architectural studies, before the construction began.

Board of Trustees member and businessman Mohamed Mansour predicted that the museum would attract over five million visitors annually.   

‘Fourth pyramid’

The idea of the Grand Egyptian Museum originated in the 1990s under former Culture Minister Farouk Hosni, who envisioned an open museum encompassing the pyramids, the Sphinx, and surrounding temples.

Former President Hosni Mubarak laid the foundation stone for the museum in 2002, and site preparation began in May 2005, but the project stalled for years.

Work resumed in 2014 under President Sisi, who expanded the plan to make it the largest museum in human history.

Between 2017 and 2023, construction, digital infrastructure, display design, and service and investment facilities were completed. The museum began trial operations in October 2024, pending its official opening as the world’s largest archaeological complex dedicated to a single civilization — Ancient Egypt.

Located two kilometers from the Giza Pyramids, the museum covers 490,000 square meters. Visitors can view the pyramids through the five-story glass facade, designed to align with the Great Pyramid’s height, and take photos with the pyramids while exploring King Tutankhamun’s treasures.

The project cost around $1 billion, financed through two Japanese loans totaling $800 million, in addition to Egyptian government funding, donations, and partnerships.

The entrance hall features a colossal statue of Ramses II, and the museum houses over 57,000 artifacts chronicling Egypt’s history. The Grand Staircase spans 6,000 m² — the height of a six-story building — and the museum includes 12 main galleries, temporary exhibition halls, and the Tutankhamun collection with over 5,000 artifacts displayed together for the first time since the tomb’s 1922 discovery.

It also includes a children’s museum, artifacts from Queen Hetepheres, mother of King Khufu, the Khufu boat museum, and various pieces from the Greek and Roman eras.

The design represents sun rays converging from the three pyramids, forming a conical structure — the museum itself — appearing as a “fourth pyramid” when viewed from above.

The logo, unveiled on June 10, 2018, emerged from an international UNESCO-supervised design competition. It reflects the building’s architectural identity, inspired by the orange glow of sunset over the plateau and fluid Arabic calligraphy evoking desert dunes.

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A Look Into…

Osama Silwadi writes:

Embroidery is present in many cultures around the world and in our region. It is not exclusive to Palestine.

However, Palestinian embroidery is distinguished by its richness in artistic and formative aspects, and its connection to the local landscape. Palestinian women imitated the diverse and rich nature surrounding them.

The economic and cultural situation, along with the cultural and civilizational depth in Palestine, also contributed to this artistic richness in Palestinian embroidery. The photo shows women from Birzeit in everyday dress. From my book in Arabic (Queens of Silk, 2010)

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Emmy Awards: Artists Call For ‘Free Palestine’

Several artists used their appearances to call for “Free Palestine,” wearing a keffiyeh and handbag, saying “CEASE FIRE!” during Sunday night’s 77th annual Emmy Awards in Los Angeles, California.

“Hacks” star Hannah Einbinder won her first Emmy for best supporting actress in a comedy series and closed off her acceptance speech by saying: “Go Birds, F— ICE and Free Palestine.”

She later went on to explain her statement while getting her name chiseled on the trophy backstage.

“It is my obligation as a Jewish person to distinguish Jews from the state of Israel. Our religion and our culture … is really separate to this sort of ethnonationalist state,” she said as reported in Anadolu.

Javier Bardem, wearing a keffiyeh and voicing his support for Film Workers for Palestine, announced on the red carpet entrance: “Here I am today denouncing the genocide in Gaza… Free Palestine!”

In the week leading up to the Emmys, 3,900 industry names signed an open pledge declaring that they will not work with Israeli institutions and film companies that are “implicated in genocide and apartheid against the Palestinian people.”

The pledge statement, published on Monday by the organization Film Workers for Palestine, said that examples of complicity include “whitewashing or justifying genocide and apartheid, and/or partnering with the government committing them.”

The pledge states that examples of complicity include “whitewashing or justifying genocide and apartheid, and/or partnering with the government committing them,” according to Variety.

“What we are witnessing is a genocide. And as I said in your show, in 4k alive on a daily basis, this has to stop,” Bardem said during an interview.

He continued by stating that he won’t and cannot work with those who “justify or support the genocide.”

“I can’t. That’s as simple as that. And we shouldn’t be able to do that in this industry and in any other industry. Today in Madrid, in Spain, the cycle, the bicycle tour, it was stopped by thousands and thousands and thousands of people on the streets marching saying we can’t allow the team of Israel being in this tour,” Bardem said.

Megan Stalter of “Hacks” also posed on the red carpet holding a handbag that wrote “CEASE FIRE!” on a white background and bold characters.

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Palestinian Dresses Immortalize History

Eileen Shomali Al-Yateem writes:

Palestinian dresses immortalize history, heritage, and tradition of the now displaced Palestinian villages.

The “Heaven and Hell” dress was named so because it was made of red and green silk fabric and was worn for weddings and special occasions in the displaced village of Lifta and some other villages in Jerusalem.


The white dress of the bride is from the displaced village of Yazur in the Jaffa District: It was made of white fabric, mostly red, with several cheerful colors… with beautiful floral designs on the dome and sides.

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