‘When Israel Stole My Eyes…’

By Fatina Abu Mustafa

Blood covered my face. My hair was burning. The fire in my hair was the only light I could see,” Tasneem whispered, recalling the night her world collapsed.

I can’t imagine an end to this war. I can’t even define the peace of imagining what it would look like, because war has stolen everything from Gazans, even the light in their eyes.

Just months earlier, 19-year-old Tasneem was preparing for her tawjihi, Palestine’s crucial high school exams that decide a student’s future. Like thousands of other students in Gaza, she dreamed of scholarships, university, and a life beyond the blockade. Instead, she was fighting to keep her eyesight, grieving her sister and father, and carrying her schoolbooks through displacement camps.

Her story is one among thousands. According to Gaza’s Ministry of Education, 15,553 school students and 1,111 university students have been killed since the genocide began. Another 23,411 schoolchildren and 2,317 university students were injured, many left permanently disabled. For Gaza’s youth, war has not only destroyed classrooms but also their bodies and futures.

The Night That Changed Everything

It was October 10, 2023, at 2:30 a.m. in Bani Suhaila. Tasneem and her sister Hadeel stood at the window when shelling lit up the street near the Asfour station.

“Suddenly, smoke, dust, and fire blinded me,” Tasneem said. “Blood covered my face. My hair caught fire. I couldn’t see. I couldn’t breathe. My hair burning was the only light around me.”

When she looked back, she saw Hadeel lying on the floor in flames. “That moment is the hardest I’ve ever lived through,” she said through tears.

Tasneem stumbled down the stairs as flames consumed the upper floor. Shattered glass cut deep into her feet. Her leg broke when she slipped. Outside, the sky glowed red and the streets burned.

“I sat on the street with my hands on my head,” she recalled. “I just wanted this nightmare to end.”

Tasneem, after her last surgery in Gaza — blind in one eye, barely seeing with the other.

Loss Upon Loss

Tasneem thought her entire family had died. Whispering the shahada, she braced for death. But her parents were alive, and in the chaos her mother tried to comfort her. “Mama, my face is all distorted. I can’t see, only blood,” Tasneem cried. Moments later, they discovered the unbearable truth: Hadeel had been martyred.

Her injuries were severe; a burst eyeball, retinal detachment, and deep cuts that required stitches. Gaza’s hospitals, overwhelmed and starved of resources, made her wait hours before doctors could treat her.

Just three days later, tragedy struck again. Her father, Adli Baraka, was killed in another Israeli strike. “I felt like I lost all my vision and hope,” she said.

The Fight for Sight

On October 11, a private doctor warned her family that her condition was critical. Without immediate surgery, she would go blind. With Gaza’s health system collapsing, the operation was performed without anaesthesia, crude stitches to hold her eye together.

The Ministry of Health in Gaza reports that around 1,500 people have already lost their eyesight during this genocide, while another 4,000 are at risk due to shortages of medicine and equipment. UNRWA has warned of catastrophic consequences as Israel continues to block vital aid, including supplies for eye surgeries.

For Tasneem, the pain was relentless. Doctors warned her not to cry, not to stress, not to strain her eye. But how could she obey, when she had just buried her sister and father, and was living under bombardment?

Dreams Against the Rubble

On November 3, 2023, after weeks of delays, Tasneem was finally evacuated to Egypt for emergency surgery. By the time she arrived, her right eye was blind. Surgeons injected silicone oil in hopes of saving her remaining sight.

Despite advice to stay in Egypt and continue treatment, Tasneem returned to Gaza. Her younger siblings were still there, and after her father’s death, she couldn’t abandon her mother. She gave up comfort and medical care to be with her family.

Tasnim Baraka after undergoing surgery on her eye in Egypt, November 2023. Her mother took this photo as they hoped for a chance at healing after weeks of devastation.

Now she lives in a tent, suffering headaches, worsening pain, and the weakening of her other eye. And yet, she studies. Every time she fled — from Bani Suhaila, then Rafah, then Deir al-Balah — she carried her schoolbooks with her.

“The doctors told me reading could make my eyes worse,” she admitted. “But I still took my books. They are my last hope.”

Her books are not just paper and ink; they are her defiance. In a genocide that has stripped her of almost everything, they are the one dream she refuses to surrender.

The Unseen Wounds of War

The physical injuries are only part of Tasneem’s struggle. Shame keeps her indoors. “When I wear the eye patch outside, I feel so ashamed,” she said. “I’m a young girl who wants to live like other young ladies.”

Her mother, Ghada, reminds her daily that she is beautiful, no matter the scars. But emotional healing is nearly impossible in a place with no safe spaces, no medical aid, and no support for trauma survivors. Every step of Tasneem’s recovery has come not from international organizations, but from her family’s sacrifice.

A Message to the World

When I asked Tasneem what she wants now, her answer was simple:

“I wish the war would end. I want the suffering to stop. I want proper medical care for my eye and to continue my education like other girls. I don’t want to lose my eyes — I need them as a child needs something with all of its heart.”

Tasneem’s story is one of tens of thousands. Gaza’s children are not just casualties of bombs; they are being starved, blinded, and denied the chance to learn. Her voice is a reminder that these are not numbers — they are young lives, interrupted but still fighting.

“Put yourselves in our place,” Tasneem said, her one good eye filling with tears. “You couldn’t live one minute as we do.”

Quds News Network

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‘Dangerous, Illegal Escalation’ – Israeli Gaza Occupation

The Palestinian Foreign Ministry said Friday that Israel’s decision to occupy the Gaza Strip reveals the true nature of its war, “an unjustified campaign against Palestinian civilians.”

In a statement, the ministry condemned the Israeli Security Cabinet’s newly approved plan as a “dangerous and illegal escalation.”

“This decision reveals that the Israeli war was never defensive; it has always been a war of extermination and forced displacement against the people of Gaza,” the ministry said, warning of the “certain death” of civilians remaining in the strip according to Anadolu.

“This development cannot be ignored,” the ministry said.

The ministry announced it is launching a political campaign targeting decision-making centers in the international community, urging governments and institutions to “assume their legal, political, and moral responsibilities” and act to halt Israel’s actions.

The statement came hours after Israel’s Security Cabinet approved a proposal by Prime Minister Benjamin Netanyahu to have the military take control of Gaza City.

Israel has been facing mounting outrage over its destructive war on Gaza, where more than 61,200 people have been killed since October 2023. The military campaign has devastated the enclave, which is facing famine.

Last November, the International Criminal Court issued arrest warrants for Netanyahu and his former Defense Minister Yoav Gallant for war crimes and crimes against humanity in Gaza.

Israel also faces a genocide case at the International Court of Justice for its war on the enclave.

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2400 Israeli Artists, Architects Protest Netanyahu’s Starvation

Around 2,400 Israeli artists and architects have signed two separate petitions demanding an immediate end to Israel’s starvation policy, forced displacement of Palestinians and war crimes in Gaza, Israeli media reported Sunday.

The Walla news outlet said that approximately 1,000 Israeli cultural figures including prominent names in music, theater, literature and film signed a petition calling for “an immediate ceasefire in Gaza.”

“We, the artists of Israel, refuse to be complicit — against our will — in the atrocities committed in Gaza: the killing of children and civilians, starvation, displacement and the senseless destruction of Gaza’s cities,” the petition said according to Anadolu.

“We appeal to decision-makers: Stop! Do not issue unlawful orders. Do not commit war crimes. Do not abandon ethical and humanitarian principles or the values of Judaism,” it added.

The petition concluded with a clear demand: “Stop the war. Bring the hostages home.”

A second petition, also reported by Walla, was signed by nearly 1,400 visual artists, designers and architects. It described the situation in Gaza as “horror on a historic scale” and warned of a deepening humanitarian catastrophe.

“The Israeli public bears responsibility for what is happening just a few kilometers away,” it stated.

Earlier Sunday, the Gaza Health Ministry said the number of Palestinians who have died from starvation caused by the Israeli blockade has reached 175, including 93 children, since Israel’s genocide began in October 2023.

The Israeli army, rejecting international calls for a ceasefire, has pursued a brutal offensive on Gaza since Oct. 7, 2023, killing more than 60,800 Palestinians, most of them women and children.

Last November, the International Criminal Court issued arrest warrants for Israeli Prime Minister Benjamin Netanyahu and his former Defense Minister Yoav Gallant for war crimes and crimes against humanity in Gaza.

Israel also faces a genocide case at the International Court of Justice for its war on the enclave.

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Palestinian State Out of Gaza Horrors?

It is hoped that the appeals for more recognitions of the Palestine state in the UN General Assembly in New York will increase pressure on Israeli Prime Minister Benjamin Netanyahu and his coalition partners to drastically change course and make the Palestinian state a reality.

Notwithstanding the US neutrality recognition, at least as things stand now, coupled with the increased efforts from the European Union, Israel stands to be ostracized in the international community.

One point remains rather curious however, is UK’s Premier Keir Starmer’s condition being that Britain will recognize a Palestinian state if Israel refuses to accept a ceasefire on Gaza.

For all intents and purposes, it seems what Starmer is interested in, is basically a ceasefire and then Palestinian state, but then again this is for the British government to ponder on in the face of the rolling train of recognitions.

But what does this recognition entails in practical terms? It basically means the stalled Oslo negotiations since 1993 are to be revived again, and if need be on different terms than what was envisioned before. Here one says different terms because the Oslo agreements were guaranteed by the world powers and nothing came out of them.

Indeed much more must be done by the world community, especially that now, we have a more difficult and intransigent Israeli government which needs above all else to accept, at least in principle, the two-state solution.

But also and at the same time time, the recognition of a Palestinian state entails the recognition of a Palestinian leadership with the ability and responsibility to represent the Palestinian people.

One supposes there is a general consensus on that now since the current PNA has become defunct and its current leadership obsolete in front of the immense responsibilities and tasks ahead.

In brief, it would be a mere rhetorical smokescreen to call on recognizing a Palestinian state without actually paving the way for the creation of such a state by totally changing the current PNA leadership via honest elections supervised by the international community and which represent the will of the Palestinian people.

Of course one cannot but insist, that the Arab role in the newly envisaged peace process is crucial. One also cannot help but think that the role of Saudi Arabia will be crucial for the next phase. For  start, the precondition of Saudi for any form of dealings with Israel, is for the latter to accept the principle of two-state solution, and in fairness it must be clarified that the French-Saudi initiative which led Emmanuel Macron to recognize a Palestinian state was supposed to be declared in in Paris.

But now due to this effort, it has become an international case at the UN. Israel has failed with all of its endeavors to normalize relations with Saudi Arabia without giving any concessions, mainly the acceptance of the precondition of the recognition of the two-state solution, and now it is facing both the pressure of the international community and the condition of the Saudis, especially they shift their strategy from the UAE to India, and without the Saudis they will have nothing in the Gulf.

But still there is the bleeding wound of Gaza, the wound which can never start to heal without a collective Arab effort led by the Saudis which takes back to the conundrum of Israel’s acceptance of the principle of Palestinian state. Only then can Saudi Arabia lead the Arab effort, to first of all disarm Hamas, give an amnesty to Hamas members, and exile its leadership out of Gaza, in the hope of rehabilitating the strip and start in earnest the reconstruction efforts.

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Hanthala Outlasts Naji Al Ali as He Predicted

By the time he died on August 29, 1987, he had a collection of 40,000 cartoons. Naji Al Ali, the famous Palestinian cartoonist, had been in a coma for five weeks after being shot in the head by a gunman outside the London offices of Al Qabas newspaper on July 22.

Although till now nobody is certain of who killed him, Al Ali’s death was a result of decades of rebelliousness against the Arab status quo, his longing for change in Arab society, and the introduction of democracy.

He felt this would be translated into political strength to fight for the return of Palestine. Al Ali had the knack of weaving politics and culture together. His drawings had distinct messages: they were contextual, fighting against injustice and oppression in the Arab world.

Naji Al Ali was one of a kind. In few simple lines, he could depict the drama of a whole population and convey messages sometimes so sharp and rich in symbols that the viewer’s attention was effortlessly drawn to understanding the hidden meanings.

Though his messages were politically-driven, he always maintained he was apolitical and that politics did nothing for him.

This is despite the fact that his life had come to be dictated by a series of political actions. His expulsion, along with his family, to Lebanon in 1948, and ending up in Ain Al Hilweh camp, was but the first of these actions. Al Ali was only 10 or 11 when he was forced out of Shajara, a village of 400 that were destroyed by Israel.

Given a chance

In the 1950s, before being given the chance to go to Kuwait, his life was immersed in politics. He took part in demonstrations and served time in Lebanese jails. During this time, he started drawing on the walls of the camp and in prison.

“I felt within me a need for a different medium to express what I was going through,” he used to say. He often said he felt it was harder to censor a cartoon than an article. Al Ali’s talent was first discovered by Ghassan Kanafani, the Palestinian writer and activist killed by the Israelis in the early 1970s. He was visiting the camp at the time, came upon Al Ali’s work, took a sample and latter published them in Al Hurriya, the magazine he was working for.

This may have given Al Ali the opportunity to work in Kuwait in 1964 at the Al Talieh magazine, a now well-established weekly, representing the voice of the nationalists. There, he made his professional career as a cartoonist, though he did other things as well. In 1971 he returned to Lebanon where he worked in the well-respected Al Saffir.

It was in Lebanon he found the best and most productive years of his life, he would later write. “There, surrounded by the violence of many an army, and finally by the Israeli invasion (1982), I stood facing it all with my pen every day, I never felt fear, failure or despair, and I didn’t surrender. I faced armies with cartoons and drawings of hope and flowers, hope and bullets.”

But, contrary to this cheerful attitude, one also felt there was a degree of anger, mixed with cynicism and despair within Naji Al Ali that always prompted him in his cartoons; it was the failure of action, of ineptitude and the lack of Arab resolve.

That’s why he may have created the Hanthala cartoon that always came to appear in his sketches from the 1960s onwards. In fact, in an almost perceptive vision of his death, Ali would say Hanthala would outlast him and would live long after he was was dead.

Hanthala, whose name means bitterness in Arabic , represents the aspirations of the camp refugees and the right of return. We never see his face as he is never shown facing the reader.

Naji Al Ali described him as a bare-footed child with spiky hair, with his hands firmly clasped behind his back as a symbol of rejection to what happened to the Palestinians. He will only turn his head, when Palestine is regained. Hanthala will remain 10 years old until he returns to the homeland, when he will start growing up again.

After 1982, Naji Al Ali went back to Kuwait to work in Al Qabas, but there was no let down in his political message. In 1985, he was expelled, but continued to work in the newspaper’s London office.

His cartoons continued to appear in many daily newspapers across the region in Kuwait, United Arab Emirates, Egypt, Tunisia and Lebanon.

Did Al Ali’s untimely death at the age of 51, mean Hanthala will never turn his head, or will he wait for someone to redraw him.

Whichever the case, and in the spirit of his creator, he will continue with his back to the audience until Palestine is liberated.

This article, written by me, is reprinted here from the archives of Gulf News.

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